Enhanced descriptions from Syndetics:

"[A] remarkable saga.... Engrossing." --Booklist, starred review

In this triumphant debut inspired by true events, a ragtag gang of journalists and resistance fighters risk everything for an elaborate scheme to undermine the Reich.

The Nazis stole their voices. But they would not be silenced.

Brussels, 1943. Twelve-year-old street orphan Helene survives by living as a boy and selling copies of the country's most popular newspaper, Le Soir, now turned into Nazi propaganda. Helene's world changes when she befriends a rogue journalist, Marc Aubrion, who draws her into a secret network that publishes dissident underground newspapers.

The Nazis track down Aubrion's team and give them an impossible choice: turn the resistance newspapers into a Nazi propaganda bomb that will sway public opinion against the Allies, or be killed. Faced with no decision at all, Aubrion has a brilliant idea. While pretending to do the Nazis' bidding, they will instead publish a fake edition of Le Soir that pokes fun at Hitler and Stalin--daring to laugh in the face of their oppressors.

The ventriloquists have agreed to die for a joke, and they have only eighteen days to tell it.

Featuring an unforgettable cast of characters and stunning historical detail, E.R. Ramzipoor's dazzling debut novel illuminates the extraordinary acts of courage by ordinary people forgotten by time. It is a moving and powerful ode to the importance of the written word and to the unlikely heroes who went to extreme lengths to orchestrate the most stunning feat of journalism in modern history.

Reviews provided by Syndetics

Publishers Weekly Review

Ramzipoor's magnetic debut, based on the true story of an intricate WWII propaganda scheme, takes place in the fall of 1943 in Nazi-occupied Belgium. Anticipating an Allied invasion, Gruppenführer August Wolff, head of Germany's new Ministry of Perception Management, plans an ambitious campaign to circulate information that's alleged to come from the Resistance but is really the product of his office. He rounds up four members of the underground group the Front de l'Indépendance and orders them to publish an issue of its newspaper, La Libre Belgique, that looks and reads like other copies but portrays the Allies in an unflattering light. The leader of the quartet, Marc Aubrion, knows they will be executed at the end of the project, so he convinces them to die for the cause: they will secretly and concurrently create a black propaganda version of the collaborationist paper Le Soir, to poke fun at the Nazis and give Belgians a much-needed psychological boost. To assist his team--prostitute Lada Tarcovich, editor Theo Mullier, and professor Martin Victor--Aubrion recruits a local teenager called Gamin, an expert at newspaper distribution and arson. Over 18 jam-packed days that end with a big bang, the lives of all the members of the group will be changed. Sprawling and ambitious, with crisp pacing and fully realized characters, this will fascinate anyone looking for an unusual, enthralling war story. (Aug.)

Booklist Review

When the Belgian newspaper Le Soir was co-opted by the Nazis during WWII and turned into a propaganda-spewing daily, it didn't sit well with members of the Front de l'Indépendance, especially maverick journalist and prankster Marc Aubrion, who, together with several of his fellow Resistance members, published a parody edition, Faux Soir, in 1943, which mocked Hitler and the Nazis. From these historical facts, debut novelist Ramzipoor has fashioned a compelling historical thriller that details the 18 days in which Aubrion and his team managed to write, print, and distribute their astounding parody. After being rounded up by the Nazis and told to fabricate articles for Le Soir about the evils of the Allies or face execution, Aubrion and his colleagues decided to go a different way, knowing that to do so would almost certainly mean their deaths. Mixing real-life figures and fictional characters, Ramzipoor tells the story in flashback, from the point of view of one of the troupe called Gamin, a young woman posing as a newsboy to survive on the streets of Brussels, who documents the Faux Soir story to a modern-day journalist, who has her own ties to the gang of six intrepid conspirators. The stories of the six are all fleshed out in such a way that readers will be wanting to hear more about each one of them, and layered over the personal drama is the remarkable saga of how 50,000 copies of a newspaper were published under the thumb of the gestapo. This is a long book, but it is never less than engrossing.--Bill Ott Copyright 2019 Booklist

Kirkus Book Review

Based on an actual incident in Nazi-occupied Belgium, Ramzipoor's debut is a tragicomic account of fake news for a cause.Structured like a heist movie, the novel follows several members of a conspiracy in Enghien, Belgium, who have a daring plan. The conspirators do not intend to survive this caper, only to bring some humorand encouragement for resistersinto the grim existence of Belgians under Nazi rule. To this end, the plottersamong them Marc Aubrion, a journalist and comic; David Spiegelman, an expert forger; Lada Tarcovich, a smuggler and sex worker; and Gamin, a girl masquerading as a male street urchinintend to...publish a newspaper. And only one issue of a newspaper, to be substituted on one night for the regular evening paper, Le Soir, which has become a mouthpiece for Nazi disinformation. Le Faux Soir, as the changeling paper is appropriately dubbed, will feature satire, doctored photographs making fun of Hitler, and wry requests for a long-overdue Allied invasion. (Target press date: Nov. 11, 1943.) To avoid immediate capture, the Faux Soir staff must act as double agents, convincing (or maybe not) the local Nazi commandant, August Wolff, that they are actually putting out an anti-Allies "propaganda bomb." The challenge of fleshing out and differentiating so many colorful characters, combined with the sheer logistics of acquiring paper, ink, money, facilities, etc. under the Gestapo's nose, makes for an excruciatingly slow expos of how this sausage will be made. The banter here, reminiscent of the better Ocean's Eleven sequels, keeps the mechanism well oiled, but it is still creaky. A few scenes amply illustrate the brutality of the Occupation, and sexual orientation works its way in: Lada is a lesbian and David, in addition to being a Jew, is gayAugust Wolff's closeted desire may be the only reason David has, so far, escaped the camps. The genuine pathos at the end of this overdetermined rainbow may be worth the wait.A little-known story that will have special resonance for today's resisters. Copyright Kirkus Reviews, used with permission.