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Death of the black-haired girl / Robert Stone.

By: Stone, Robert [author.].
Material type: materialTypeLabelBookPublisher: London Corsair, 2014Copyright date: ©2013Description: 281 pages ; 20 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781472115393 (paperback); 9781472116536; 9781472115409 (ebook).Subject(s): Women college students -- Death -- Fiction | Married men -- Fiction | Adultery -- Fiction | College teachers -- Fiction | Pregnant women -- Fiction | Police -- New England -- Fiction | New England -- FictionGenre/Form: Thrillers (Fiction)DDC classification: 813.54
First published: New York, N.Y. : Houghton Mifflin Harcourt, 2013. -In an elite New England college, Professor Steven Brookman embarks upon a careless affair with a brilliant but reckless student, Maud Stack. She is a young woman whose passions are not easily contained or curtailed, and is known as something of a firebrand on campus. As the stakes of their relationship prove higher than either one could have anticipated, their union seems destined to yield tragic and far-reaching consequences.
Summary: In an elite New England college, Professor Steven Brookman embarks upon a careless affair with a brilliant but reckless student, Maud Stack. She is a young woman whose passions are not easily contained or curtailed, and is known as something of a firebrand on campus. As the stakes of their relationship prove higher than either one could have anticipated, their union seems destined to yield tragic and far-reaching consequences.
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Enhanced descriptions from Syndetics:

In an elite New England college, Professor Steven Brookman embarks upon a careless affair with a brilliant but reckless student, Maud Stack. She is a young woman whose passions are not easily contained or curtailed, and is known as something of a firebrand on campus.

As the stakes of their relationship prove higher than either one could have anticipated, their union seems destined to yield tragic and far-reaching consequences.

First published: New York, N.Y. : Houghton Mifflin Harcourt, 2013.

First published: New York, N.Y. : Houghton Mifflin Harcourt, 2013. -In an elite New England college, Professor Steven Brookman embarks upon a careless affair with a brilliant but reckless student, Maud Stack. She is a young woman whose passions are not easily contained or curtailed, and is known as something of a firebrand on campus. As the stakes of their relationship prove higher than either one could have anticipated, their union seems destined to yield tragic and far-reaching consequences.

In an elite New England college, Professor Steven Brookman embarks upon a careless affair with a brilliant but reckless student, Maud Stack. She is a young woman whose passions are not easily contained or curtailed, and is known as something of a firebrand on campus. As the stakes of their relationship prove higher than either one could have anticipated, their union seems destined to yield tragic and far-reaching consequences.

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Excerpt provided by Syndetics

1 "You look like a white captive," Shelby said to Maud.    Maud saw herself in a mirror on the bathroom door, winter pale, wrapped in a Salish blanket. She pulled the blanket tighter around her thighs and shoulders. Her skin was very fair but rosy after her shower.    "You think?"    "Totally," her roommate said.    Maud huddled beside a bay window of her suite, shivering deliciously in the drafts of ice-edged wind that filtered through the plaster and old stone of the building. Cheerless dawn lit the pinnacles and tracery of the Gothic towers across the Common. One by one, southeast by northwest, the trunks of the elms along the walks lightened to gray. All at once, the street lamps died together.    It was all so bleak and beautiful and she was happy to be there. She loved the morning, loved warming herself against the venerable drafts of Cross Inn, safe from the steely street outside. She wrapped the blanket more tightly, tossed her hair from side to side. Maud's hair was silky and black as could be; it dazzled against her pale skin, high color and her bluest of eyes. She had always worn it long and would not dream of playing geek with it, uglifying herself with streaks and punky cuts. Sometimes she used an iron on it the way girls in the sixties had. Beautiful was a word Maud heard too often and too early in life. Once, in high school, she had tried to steal an art book from the Metropolitan Museum of Art gift shop because one of her teachers said there was a Whistler painting of a girl who looked like her.    They had stopped her at the top of the steps outside. The store manager herself had followed Maud across the crowded lobby and blocked her escape on the top step and then stood by, trembling with satisfaction, while an officer made her produce the bag from under her parka. Maud had obliged the ugly old bitch by crying, and even five years later she remembered every moment of that mortification, right down to the spring weather and the faces of the dumb tourists who stood nudging each other at the museum doors. She had worried about losing her National Merit Scholarship and about her father finding out, but nothing came of it.    Still attending her mirror, Maud bent her head forward and let her hair hang down in front. She had considered art history as a major but then changed it to English with a writing concentration. She straightened up for the glass. Her neck was shapely and strong.    In front of the church on the edge of the Common, she saw the homeless men gathered to wait for meal tickets. They huddled like animals, leaking plastic foam from their dumpster ski jackets. A few of them tried to find space to sit on the narrow park rail which, at some time in the eighties, had been set with spikes to discourage unsightly feeding and defecation. A new franchise hotel had its main entrance across the street.    Railings had been reconfigured; a city bus stop was moved a block. There had been protests; there were always timely protests. The protesters accused the parks department of obliging the hotel, catering to consistent bias against the homeless, the handicapped and the poor. Maud had written a witty and passionate column in the college newspaper, opposing and mocking the move which had been much admired. It went without saying that most downtown workers, as well as most students with classes in nearby buildings, felt more comfortable after the work was done. Even Maud had to admit that it had been an ordeal to pass by every day, and there was no question but that the Common looked more cool without the poor.    Outside, the morning rush had not quite begun. A city bus was parked at its last designated stop with its motor running. Traffic was sparse, and only a few late-shift college workmen were headed for the underground parking lot below the Common.    "So, hey," said Maud's roommate, whom everyone called Shell. "What you got on today?"    Shell was an actress and had been a principal in a few independent movie productions of the sort that played limited-release houses. Her name was Shelby Magoffin, and she came originally from eastern Kentucky. She talked that talk as necessary but had many voices. She was studying for a degree in drama, having transcended her hard upbringing and a much too early marriage. Shell was not one of your extremely pretty actresses but she was memorable, thin and eccentric in a way that would have brought her character roles in the old Hollywood. Sometimes people asked her about her marriage​ -- ​other students, curious. "Ever hear from the guy?"    "Oh," Shell would say, "first boy I loved," quoting the Judy Collins song.    "No," she would tell them, "never." But that was not true. He called her sometimes.    "You got a date with Mister Man today?" Shell asked.    "Early appointment," Maud told her.    She folded her hair under a black sailor's watch cap, borrowed a hooded jacket of Shell's, put on painter's pants and hiking boots. She had on nice underwear, though, in case, as her mother had always said, she was hit by a bus or, as Mom omitted to say, overcome by passion.    They took a shortcut past the church, now sounding its seven o'clock chimes. Their route would take her past the bus stop and the queue of bums, but Maud felt it would be craven and unprincipled to avoid it.    The early morning rush hour was beginning as the two women hit Amity Street. A few pedestrians walked quickly toward the college and the office buildings on the far side of the Common? Cars were caught at the light, and the healthier, more aggressive among the poor, mainly young black men who had taken places at the front of the line, stepped into traffic, talking.    "Yo, I say, Cadillac man."    But the drivers were not Cadillac men, or if they had Cadillacs, the Cadillacs were twelve years old and patched, and plenty of the drivers were women. At that hour, Cadillac men would not appear, although at ten there would be plenty, and Saab sahibs and Beamers, thoughtful Volvo men and suburban soubrettes in armored Abrams-class deuce-and-a-half Windstars or Jeep personal-use vehicles. So there was agitation and the locking of retro car doors, dirty looks from the honest working stiffs and silent muttering behind the rolled-up windows. Out walking from the city garage, older men put their hands in their pockets and kept their eyes on the street. Young white men in bunches laughed it off, red-faced, simmering with piss-off. The panhandlers laughed back at them, hot-eyed, selling wolf tickets.    There had actually been a summit the previous year--the City, the College, the Police, the Coalition for the Homeless and the Overseers of the Common. Participants in the summit were cautioned against the use of certain words. The words: dirt bag, wino, bum, scum, street scum, chronic nuisance, predator, freeloader, disenfranchised, disadvantaged, the poor, criminal, jailbird, vagrant. Biculturally conscious, the summit included the words cabrón , criminal, ratón, ladrón . The mayor, free on bail after his arrest and indictment for racketeering, gave a comment to the struggling newspaper of record to set in funny-colored inks.    "This is talk we don't want to hear in our city," said his worship the mayor.    The panhandlers watched the two women go by; a few affected haughty indifference. Shelby was dimmed down in a checkered lumber jacket and wraparound Oakleys of a midnight hue. Maud, in the flat-soled hiking boots, was just under six feet tall; she towered over Shelby when they walked together, though there were plenty of girls at the college who were taller than Maud. The female students, mainly teenagers, were on average taller than the men of the town.    Steely wind hit them from the bay, a few blocks beyond the Common. Cross Inn was on a corner where marine gales coming up the river were set spinning by a cluster of high-rise bank and insurance company buildings. They whipped all winter through the Gothic courtyards of Old Campus on the other side of the Common. Beyond the colleges and the ghettos of Shoreham and Northwell stood the high ridge that showed seasons to the grimy town. In winter it displayed bare rock, dead leaves, brown branches, streaky snow. God had raised the ridge centuries before to protect the colony and the college from the pagan and papist savages on the other side. The college had always required and received protection.    Maud, a city girl to the marrow, had hardly noticed the ridge at first. She knew it was dangerous to jog up there. But Shell, who was a mountain girl--"a mountain grill," she liked to say--would declare obeisance each time she went out by way of Cross Street.    "I will lift up mine eyes unto the hills, from whence cometh my help," she would say. Of course it was a joke, one of Shell's jokes on herself, on her people and their God. Once during their freshman orientation nature walk, Shell had halted two steps from the sunning spot of an eastern banded timber rattler, which woke and raised itself, slithered sidewise and stood its ground. Its tail disappeared in a blur of speed and reptile rhythms, clackety-rap. Its eyes were all business.    Maud, a few feet behind her new friend, saw the thing, called out, "Oh, shit! Oh, Shell!" Maud thought Shelby Magoffin was like a seashell, pink and fragile. Sometimes Maud teased her with the name. "Seashell, watch it!"    The male upperclassman leading the walk had lifted Shell up by the elbows and swung her out of striking range. "Asshole," Shell had muttered ungratefully.    "Ever see a big old rattler before, Shell?" the earthy- crunchy youth had asked.    "Only in church," Shell had told him.    The other freshmen had taken it in. They had also registered Maud's New Yorky swearing. And Shell's cool answer--they knew it was a cool answer whether or not they caught the reference to Pentecostal snake handling. And Shell Magoffin was forever Seashell, though the origins of the name and its significance were left unclear. Later, as the other students came to understand that she was an actor in the sorts of movies they went to see, they realized that the goofy name was part of it.    On Cross Street the panhandlers did not usually hit on Maud or her friends. In fact they rarely hit on any of the particularly attractive girls. Where raillery might be expected, there was none; no teasing between the lost boys and the college girls. There was too much privilege and anger--a terrifying atavistic cloud enfolding shame and resentment, even humiliation and murder. Bad things had happened. Everyone knew better.    That morning Maud and Shell found themselves headed the same way. At Stoddard Street they followed the Common past Hale Gate, joined now by kids on their way to the day's first class.    "You don't have a class," Shell said to her friend. "How come you're up so early?"    "Date for coffee."    "With him?" Without waiting for an answer, Shell told Maud, "I have rehearsals until after nine. I could sleep away tonight." Shell looked at her with wry sympathy.    "Thanks, friend. He's not free tonight."    "I was gonna say," Shell said, "but I didn't."    Snow began to fall, although it seemed too cold for snow. "Anyway, this is just an appointment," Maud said.    They kept their heads down, making for Bay's, the nearest coffee place to campus.    "Bringing him coffee?"    "Yeah, right," Maud said. "Cold coffee date."    "Older guys are so much better," Shell teased. "They, like, know so much more."    Shell's celebrated career had already brought her into close contact with putative adults. Some of them were very famous and said to be very powerful, but she was not impressed.    Bay's coffee shop operated on the ground floor of a four-story converted office building that had become a halfway house for deinstitutionalized mental patients. The halfway-house people had made a headquarters of the place and gathered there from daybreak until seven in the evening. Bay's kept chairs outside for them, which they occupied in every weather. All day they predominated; their behavior and queer psychic emanations gave the coffee shop an unsettling spin. A stranger sitting down for an espresso would presently notice another customer's peculiar intensity, an overloud conversation punctuated by excessive laughter or the imminent lunacy of a silence. An inappropriate emotional tone prevailed. Some people liked it--art students and Shell Magoffin. It gave Maud the creeps, but she wanted some coffee. She followed Shell across the brick plaza.    The mentally ill customers were known as Housies or Outmates. At times, terrace chairs would become vacant--say, when the Outmates had made up a posse to go shopping at the nearest Safeway, four scary inner-city blocks away. Shopping alone or in twos, they might be confronted or even physically abused by anyone from the younger of the homeless to the police. In the vertical society of that city, the Outmates' standing was low. They were unpopular and somewhat defenseless. No one believed the things they said, so their complaints were dismissible. Streets on which the coeds walked confidently held dangers for the halfway-housed. It seemed that only the tough female mounted troopers were nice to them, knowing their names and letting them pet their mounts, like children. The mounted policewomen also treated the halfway-house residents' leader, Herbert, with a reserved, humorous respect. Herbert had become the residents' leader by virtue of his very loud voice and broad general knowledge.    As the girls turned into Bay's, Herbert was at his usual table, actively facing down the coming storm. Herbert was the one male habitué who by his assumed right and custom always talked to the girls. "Hey, Shell!" he said at the top of his voice. "Seashell!"    Shell gave him a smile and a pat on the shoulder. Maud's polite smile might have concealed her disgust from most people but did not fool Herbert.    At the coffee counter Maud and Shell asked for the specials of the day to go. Maud bought two largos , served by a beautiful young man from Spain, a graduate music student with bleached hair and a row of three earrings. Then the two girls made their way through the shivering halfway-house crowd to the street. Herbert was reading aloud from the local paper, quoting a story on the mayor's legal trouble. There was no one around to listen; the wind increased.    Shell and Maud went different ways. Herbert looked up from his paper to oversee them.    "Hey, have fun, girls!" Herbert called after them. "Bless this world and all who sail in her." He put a hand in his lap and watched them disappear into the first heavy flakes of the storm.    At the gate of Peabody Quad, Maud stopped and set the two coffees down on the cold slate sidewalk. It was time for her to fish out her ID card, which would open the electric lock on the college gate. Once through the gate, it required the opening of three more locks to reach the room where she was headed.    Ever since the first Indian hatchet lodged its blade in the college's single stout oak door during the Seven Years' War, doors and access within had been significant there. For years the place rested behind no more bolts than the resort of young gentry required in any rough-handed New England mill town. Then the sixties struck, with coeducation and power to the people--all sorts of people--and there had even been a solitary unisex bathroom, which languished amid the embarrassment hardly a year after its building, and there was the Throwing Open of the Gates, the Unbolting of the Great Doors, the Opening to the Community. What ensued, drug-wise, crime-wise and in terms of bitterness between the college and the town, was brief but ugly. The opening forth was followed by a locking up, down and sideways that had locksmiths laboring day and night, and now there were three or four doors for everything--even clerks' offices were secured, and elderly dons retired because they spent half their working days trying to distinguish in a dour economy of light which of the cards or keys on their chains opened their outermost office door, which the second, which the third and so on. The coffee Maud had brought cooled on the cold stone while she knelt fiddling and jingling at Professor Brookman's door. Excerpted from Death of the Black-Haired Girl by Robert Stone All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Steven Brookman is the quintessential college professor, married with children and enjoying the perks that accompany life on a college campus-including the illicit company of his female students. Maud Stack, his latest paramour, is brilliant, but she's also increasingly unstable and insistent that Brookman make a commitment to her. Maud is then killed suddenly in a hit-and-run-because of the affair, or because of her inflammatory articles in the school paper? Soon, Maud's estranged father, retired cop Eddie Stack, begins working the case of his daughter's murder. Stone's (Dog Soldiers) latest begins slowly and is bogged down by hyperbolic language, though the latter could have been a device designed to match the pretentious Maud. After her death, the story becomes a police procedural told in plain language. Eddie's story is interesting and propels the plot forward. The audio performance is average; David Colacci's performance of Maud and other female characters is lacking, though the narration is slightly better when the story shifts to Eddie and his quest for justice. Verdict Previous fans of Stone's and fans of similar stories by John Sandford and Steve Martini may enjoy this. ["This novel is readable, tense, and stimulating. Vivid scenes with razor-sharp dialog are plentiful; a powerful work," read the starred review of the Houghton Harcourt hc, LJ 9/1/13.]-Nicole A. Cooke, Univ. of Illinois, Urbana-Champaign (c) Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

In Stone's novel, set in a New England college town, brilliant, beautiful and raven-haired student Maud Stack, after having been told by professor Steven Brookman that their affair was history, wanders carelessly and fatally into the path of an oncoming car. Was it an accident, a suicide, or something darker? Colacci's handling of the characters is spot on from the start. He adds a subtle touch of passivity to Brookman's speech, while Maud's father is gruff and wheezy, as might be expected of an aging, fatally ill ex-cop from New York City. But there's more to Colacci's interpretation; he perfectly captures the mournful moan of a father's sorrow and the growl of a man on a deadly mission. Other characters are rendered with similar care, including Maud, whose initial ebullience quickly turns to petulance and edgy anger after Brookman's rejection. A Houghton Mifflin Harcourt hardcover. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved.

Booklist Review

*Starred Review* Set on campus, Stone's novel features Maud, smart, beautiful, and full of passion for her convictions and her married professor. Professor Brookman, in turn, has ill-advisedly returned her affections. Unsure if it's love or obsession, Brookman is already aware that this affair will not end well. Maud, after passing antiabortion demonstrators outside a women's clinic, rashly writes a diatribe against small-mindedness and hypocrisy for the Gazette, unleashing much fury among groups on campus and elsewhere. And when the tragic, sudden, and inevitable death of the black-haired girl does finally strike, it is shocking. Although Stone (Dog Soldiers, 1974; Damascus Gate, 1998) introduces a cast of menacing and motivated characters, he is interested less in whodunit than in questions of fate and of faith. Old stuff comes back, he writes. Poor judgment and reckless acts have consequences, not just for the lovers but also for those in their orbit, among them, Maud's dad, a retired cop dying of emphysema; her roommate, a B-movie actress with a restraining order on her fanatical ex-husband; Brookman's wife and daughter; and Maud's student counselor, an ex-nun and former revolutionary. Stone's world, full of ominous forebodings, is populated by characters familiar to readers of his novels: the disaffected, the politically naive, and the world weary lost souls who have lost their faith and others with false faith. High-Demand Backstory: The publication of any book by Stone is a literary event; this one is no exception.--Segedin, Ben Copyright 2010 Booklist

Kirkus Book Review

The death of a star student at an upper-crust university unsettles friends, faculty and family in a piercing novel from veteran novelist Stone (Fun With Problems, 2010, etc.). Stone's eighth novel introduces student Maud Stack as a privileged young woman enveloped by a cloud of danger and collapse. The manicured, Ivy-ish campus is rife with halfway-house residents, mentally ill homeless people and addicts--that last group a class that includes plenty of students, too. Maud has her own issues with drinking, but her biggest problems are the ongoing affair she's pursued with Steven, a married professor, and a column she's written for the campus paper mocking anti-abortion protesters at a nearby hospital. Just as Maud's writing grabs attention and her relationship with Steven falls apart, she's killed in a car accident. The novel isn't halfway done by then, and what follows isn't an easy morality play about abortion rhetoric or teacher-student relationships. Rather, Stone pursues a close study of how Maud's death has undone many of the certainties of those around her. The incident drives her father back to drinking and pondering past corruptions. An adviser recalls her own history as a protester and reconsiders her faith. And Steven, who was arguing with a drunken Maud before her death, reckons with his own complicity. Stone gives this story the rough shape of a police procedural--Steven is the main person of interest--which gives the prose some snap and avoids sodden, moralizing lectures. What emerges from Stone's crisp storytelling is a critique of tribalism of all sorts--religious, academic, police--that doesn't damn those institutions but reveals how they work to protect their own interests at the expense of those of others. An unusual but poised mix of noir and town-and-gown novel, bolstered by Stone's well-honed observational skills.]] Copyright Kirkus Reviews, used with permission.