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<anon I1="BLANK" I2="BLANK">***This excerpt is from an advance uncorrected proof*** Copyright © 2014 by Liane Moriarty Chapter 1 "That doesn't sound like a school trivia night," said Mrs. Patty Ponder to Marie Antoinette. "That sounds like a riot." The cat didn't respond. She was dozing on the couch and found school trivia nights to be trivial. "Not interested, eh? Let them eat cake! Is that what you're thinking? They do eat a lot of cake, don't they? All those cake stalls. Goodness me. Although I don't think any of the mothers ever actually eat them. They're all so sleek and skinny, aren't they? Like you." Marie Antoinette sneered at the compliment. The "let them eat cake" thing had grown old a long time ago, and she'd recently heard one of Mrs. Ponder's grandchildren say it was meant to be "let them eat brioche" and also that Marie Antoinette never said it in the first place. Mrs. Ponder picked up her television remote and turned down the volume on Dancing with the Stars . She'd turned it up loud earlier because of the sound of the heavy rain, but the rain had eased now. She could hear people shouting. Angry hollers crashed through the quiet, cold night air. It was somehow hurtful for Mrs. Ponder to hear, as if all that rage were directed at her. (Mrs. Ponder had grown up with an angry mother.) "Goodness me. Do you think they're arguing over the capital of Guatemala? Do you know the capital of Guatemala? No? I don't either. We should Google it. Don't sneer at me." Marie Antoinette sniffed. "Let's go see what's going on," said Mrs. Ponder briskly. She was feeling nervous and therefore behaving briskly in front of the cat, the same way she'd once done with her children when her husband was away and there were strange noises in the night. Mrs. Ponder heaved herself up with the help of her walker. Marie Antoinette slid her slippery body comfortingly in between Mrs. Ponder's legs (she wasn't falling for the brisk act) as she pushed the walker down the hallway to the back of the house. Her sewing room looked straight out onto the school yard of Pirriwee Public. "Mum, are you mad? You can't live this close to a primary school," her daughter had said when she was first looking at buying the house. But Mrs. Ponder loved to hear the crazy babble of children's voices at intervals throughout the day, and she no longer drove, so she couldn't care less that the street was jammed with those giant, truck-like cars they all drove these days, with women in big sunglasses leaning across their steering wheels to call out terribly urgent information about Harriett's ballet and Charlie's speech therapy. Mothers took their mothering so seriously now. Their frantic little faces. Their busy little bottoms strutting into the school in their tight gym gear. Ponytails swinging. Eyes fixed on the mobile phones held in the palms of their hands like compasses. It made Mrs. Ponder laugh. Fondly, though. Her three daughters were exactly the same. And they were all so pretty. "How are you this morning?" she always called out if she was on the front porch with a cup of tea or watering the front garden as they went by. "Busy, Mrs. Ponder! Frantic!" they always called back, trotting along, yanking their children's arms. They were pleasant and friendly and just a touch condescending because they couldn't help it. She was so old! They were so busy! The fathers, and there were more and more of them doing the school run these days, were different. They rarely hurried, strolling past with a measured casualness. No big deal. All under control. That was the message. Mrs. Ponder chuckled fondly at them too. But now it seemed the Pirriwee Public parents were misbehaving. She got to the window and pushed aside the lace curtain. The school had recently paid for a window guard after a Year 3 boy's cricket ball had smashed the glass and nearly knocked out Marie Antoinette. (A group of them had given her a hand-painted apology card, which she kept on her fridge.) There was a two-story sandstone building on the other side of the playground with an event room on the second level and a big balcony with ocean views. Mrs. Ponder had been there for a few functions: a talk by a local historian, a lunch hosted by the Friends of the Library. It was quite a beautiful room. Sometimes ex-students had their wedding receptions there. That's where they'd be having the school trivia night. They were raising funds for SMART Boards, whatever they were. Mrs. Ponder had been invited as a matter of course. Her proximity to the school gave her a funny sort of honorary status, even though she'd never had a child or grandchild attend. She'd said no thank you to the school trivia night invitation. She thought school events without the children in attendance were pointless. The children had their weekly school assembly in the same room. Each Friday morning, Mrs. Ponder set herself up in the sewing room with a cup of English Breakfast and a ginger-nut biscuit. The sound of the children singing floating down from the second floor of the building always made her weep. She'd never believed in God, except when she heard children singing. There was no childish singing now. Mrs. Ponder could hear a lot of bad language. She wasn't a prude about bad language--her eldest daughter swore like a trooper--but it was upsetting and disconcerting to hear someone maniacally screaming that particular four-letter word in a place that was normally filled with childish laughter and shouts. "Are you all drunk?" she said. Her rain-splattered window was at eye level with the entrance doors to the building, and suddenly people began to spill out. Security lights illuminated the paved area around the entrance like a stage set for a play. Clouds of mist added to the effect. It was a strange sight. The parents at Pirriwee Public had a baffling fondness for costume parties. It wasn't enough that they should have an ordinary trivia night; she knew from the invitation that some bright spark had decided to make it an "Audrey and Elvis" trivia night, which meant that the women all had to dress up as Audrey Hepburn and the men had to dress up as Elvis Presley. (That was another reason Mrs. Ponder had turned down the invitation. She'd always abhorred costume parties.) It seemed that the most popular rendition of Audrey Hepburn was the Breakfast at Tiffany's look. All the women were wearing long black dresses, white gloves and pearl chokers. Meanwhile, the men had mostly chosen to pay tribute to the Elvis of the latter years. They were all wearing shiny white jumpsuits, glittery gemstones and plunging necklines. The women looked lovely. The poor men looked perfectly ridiculous. As Mrs. Ponder watched, one Elvis punched another across the jaw. He staggered back into an Audrey. Two Elvises grabbed him from behind and pulled him away. An Audrey buried her face in her hands and turned away, as though she couldn't bear to watch. Someone shouted, "STOP THIS!" Indeed. What would your beautiful children think? "Should I call the police?" wondered Mrs. Ponder out loud, but then she heard the wail of a siren in the distance, at the same time as a woman on the balcony began to scream and scream. Gabrielle: It wasn't like it was just the mothers, you know. It wouldn't have happened without the dads. I guess it started with the mothers. We were the main players, so to speak. The mums. I can't stand the word "mum." It's a frumpy word, don't you think? "Mom" is better. With an o . It sounds skinnier. We should change to the American spelling. I have body image issues, by the way. Who doesn't, right? Bonnie: It was all just a terrible misunderstanding. People's feelings got hurt, and then everything just spiraled out of control. The way it does. All conflict can be traced back to someone's feelings getting hurt, don't you think? Divorce. World wars. Legal action. Well, maybe not every legal action. Can I offer you an herbal tea? Stu: I'll tell you exactly why it happened: Women don't let things go. Not saying the blokes don't share part of the blame. But if the girls hadn't gotten their knickers in a knot . . . And that might sound sexist, but it's not, it's just a fact of life. Ask any man--not some new-age, artsy- fartsy, I-wear-moisturizer type, I mean a real man--ask a real man, then he'll tell you that women are like the Olympic athletes of grudges. You should see my wife in action. And she's not even the worst of them. Miss Barnes: Helicopter parents. Before I started at Pirriwee Public, I thought it was an exaggeration, this thing about parents being overly involved with their kids. I mean, my mum and dad loved me, they were, like, interested in me when I was growing up in the nineties, but they weren't, like, obsessed with me. Mrs. Lipmann: It's a tragedy, and deeply regrettable, and we're all trying to move forward. I have no further comment. Carol: I blame the Erotic Book Club. But that's just me. Jonathan: There was nothing erotic about the Erotic Book Club, I'll tell you that for free. Jackie: You know what? I see this as a feminist issue. Harper: Who said it was a feminist issue? What the heck? I tell you what started it: the incident at the kindergarten orientation day. Graeme: My understanding was that it all goes back to the stay-at-home mums battling it out with the career mums. What do they call it? The Mummy Wars. My wife wasn't involved. She doesn't have time for that sort of thing. Thea: You journalists are just loving the French nanny angle. I heard someone on the radio today talking about the "French maid," which Juliette was certainly not. Renata had a housekeeper as well. Lucky for some. I have four children, and no staff to help out! Of course, I don't have a problem per se with working mothers, I just wonder why they bothered having children in the first place. Melissa: You know what I think got everyone all hot and bothered? The head lice. Oh my gosh, don't let me get started on the head lice. Samantha: The head lice? What did that have to do with anything? Who told you that? I bet it was Melissa, right? That poor girl suffered post-traumatic stress disorder after her kids kept getting reinfected. Sorry. It's not funny. It's not funny at all. Detective-Sergeant Adrian Quinlan: Let me be clear: This is not a circus. This is a murder investigation. Chapter 2 SIX MONTHS BEFORE THE TRIVIA NIGHT Forty. Madeline Martha Mackenzie was forty years old today. "I am forty," she said out loud as she drove. She drew the word out in slow motion, like a sound effect. "Fooorty." She caught the eye of her daughter in the rearview mirror. Chloe grinned and imitated her mother. "I am five. Fiiiive. " "Forty!" trilled Madeline like an opera singer. "Tra la la la!" "Five!" trilled Chloe. Madeline tried a rap version, beating out the rhythm on the steering wheel. "I'm forty, yeah, forty--" "That's enough now, Mummy," said Chloe firmly. "Sorry," said Madeline. She was taking Chloe to her "Kindergarten--Let's Get Kindy Ready!--Orientation." Not that Chloe required any orientation before starting school next January. She was already very firmly oriented at Pirriwee Public. At this morning's drop- off Chloe had been busy taking charge of her brother, Fred, who was two years older but often seemed younger. "Fred, you forgot to put your book bag in the basket! That's it. In there. Good boy." Fred had obediently dropped his book bag in the appropriate basket before running off to put Jackson in a headlock. Madeline had pretended not to see the headlock. Jackson probably deserved it. Jackson's mother, Renata, hadn't seen it either, because she was deep in conversation with Harper, both of them frowning earnestly over the stress of educating their gifted children. Renata and Harper attended the same weekly support group for parents of gifted children. Madeline imagined them all sitting in a circle, wringing their hands while their eyes shone with secret pride. While Chloe was busy bossing the other children around at orientation (her gift was bossiness, she was going to run a corporation one day), Madeline was going to have coffee and cake with her friend Celeste. Celeste's twin boys were starting school next year too, so they'd be running amuck at orientation. (Their gift was shouting. Madeline had a headache after five minutes in their company.) Celeste always bought exquisite and very expensive birthday presents, so that would be nice. After that, Madeline was going to drop Chloe off with her mother-in- law, and then have lunch with some friends before they all rushed off for school pickup. The sun was shining. She was wearing her gorgeous new Dolce and Gabbana stilettos (bought online, thirty percent off). It was going to be a lovely, lovely day. "Let the Festival of Madeline begin!" her husband, Ed, had said this morning when he brought her coffee in bed. Madeline was famous for her fondness of birthdays and celebrations of all kinds. Any excuse for champagne. Still. Forty. As she drove the familiar route to the school, she considered her magnificent new age. Forty. She could still feel "forty" the way it felt when she was fifteen. Such a colorless age. Marooned in the middle of your life. Nothing would matter all that much when you were forty. You wouldn't have real feelings when you were forty, because you'd be safely cushioned by your frumpy forty-ness. Forty-year-old woman found dead. Oh dear. Twenty-year-old woman found dead. Tragedy! Sadness! Find that murderer! Madeline always had to do a minor shift in her head when she heard something on the news about a woman dying in her forties. But, wait, that could be me! That would be sad! People would be sad if I was dead! Devastated, even. So there, age- obsessed world. I might be forty, but I am cherished. On the other hand, it was probably perfectly natural to feel sadder over the death of a twenty-year-old than a forty-year-old. The forty-year-old had enjoyed twenty years more of life. That's why, if there were a gunman on the loose, Madeline would feel obligated to throw her middle-aged self in front of the twenty- year-old. Take a bullet for youth. It was only fair. Well, she would if she could be sure it was a nice young person. Not one of those insufferable ones, like the child driving the little blue Mitsubishi in front of Madeline. She wasn't even bothering to hide the fact that she was using her mobile phone while she drove, probably texting or updating her Facebook status. See! This kid wouldn't have even noticed the loose gunman! She would have been staring vacantly at her phone, while Madeline sacrificed her life for her! It was infuriating. The little car appeared to be jammed with young people. At least three in the back, their heads bobbing about, hands gesticulating. Was that somebody's foot waving about? It was a tragedy waiting to happen. They all needed to concentrate. Just last week, Madeline had been having a quick coffee after her ShockWave class and reading a story in the paper about how all the young people were killing themselves sending texts while they drove. On my way. Nearly there! These were their last foolish (and often misspelled) words. Madeline had cried over the picture of one teenager's grief-stricken mother, absurdly holding up her daughter's mobile phone to the camera as a warning to readers. "Silly little idiots," she said out loud as the car weaved dangerously into the next lane. "Who is an idiot?" said her daughter from the backseat. "The girl driving the car in front of me is an idiot because she's driving her car and using her phone at the same time," said Madeline. "Like when you need to call Daddy when we're running late?" said Chloe. "I only did that one time!" protested Madeline. "And I was very careful and very quick! And I'm forty years old!" "Today," said Chloe knowledgeably. "You're forty years old today." "Yes! Also, I made a quick call, I didn't send a text! You have to take your eyes off the road to text. Texting while driving is illegal and naughty, and you must promise to never ever do it when you're a teenager." Her voice quivered at the thought of Chloe being a teenager and driving a car. "But you're allowed to make a quick phone call?" checked Chloe. "No! That's illegal too," said Madeline. "So that means you broke the law," said Chloe with satisfaction. "Like a robber ." Chloe was currently in love with the idea of robbers. She was definitely going to date bad boys one day. Bad boys on motorcycles. "Stick with the nice boys, Chloe!" said Madeline after a moment. "Like Daddy. Bad boys don't bring you coffee in bed, I'll tell you that for free." "What are you babbling on about, woman?" sighed Chloe. She'd picked this phrase up from her father and imitated his weary tone perfectly. They'd made the mistake of laughing the first time she did it, so she'd kept it up, and said it just often enough, and with perfect timing, so that they couldn't help but keep laughing. This time Madeline managed not to laugh. Chloe currently trod a very fine line between adorable and obnoxious. Madeline probably trod the same line herself. Madeline pulled up behind the little blue Mitsubishi at a red light. The young driver was still looking at her mobile phone. Madeline banged on her car horn. She saw the driver look in her rearview mirror, while all her passengers craned around to look. "Put down your phone!" she yelled. She mimicked texting by jabbing her finger in her palm. "It's illegal! It's dangerous!" The girl stuck her finger up in the classic up-yours gesture. "Right!" Madeline pulled on her emergency brake and put on her hazard lights. "What are you doing?" said Chloe. Madeline undid her seat belt and threw open the car door. "But we've got to go to orientation!" said Chloe in a panic. "We'll be late! Oh, calamity !" "Oh, calamity" was a line from a children's book that they used to read to Fred when he was little. The whole family said it now. Even Madeline's parents had picked it up, and some of Madeline's friends. It was a very contagious phrase. "It's all right," said Madeline. "This will only take a second. I'm saving young lives." She stalked up to the girl's car on her new stilettos and banged on the window. The window slid down, and the driver metamorphosed from a shadowy silhouette into a real young girl with white skin, sparkly nose ring and badly applied, clumpy mascara. She looked up at Madeline with a mixture of aggression and fear. "What is your problem ?" Her mobile phone was still held casually in her left hand. "Put down that phone! You could kill yourself and your friends!" Madeline used the exact same tone she used on Chloe when she was being extremely naughty. She reached in the car, grabbed the phone and tossed it to the openmouthed girl in the passenger seat. "OK? Just stop it!" She could hear their gales of laughter as she walked back to the car. She didn't care. She felt pleasantly stimulated. A car pulled up behind hers. Madeline smiled, lifted her hand apologetically and hurried back to be in her car before the lights changed. Her ankle turned. One second it was doing what an ankle was meant to do, and the next it was flipping out at a sickeningly wrong angle. She fell heavily on one side. Oh, calamity. That was almost certainly the moment the story began. With the ungainly flip of an ankle. Excerpted from Big Little Lies by Liane Moriarty All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.</anon>
Reviews provided by Syndetics
Library Journal Review
At kindergarten orientation, single mom Jane's son, Ziggy, is accused of hurting another child. Jane knows her son did not do it but is powerless to handle the situation. Still, as accusations escalate to bullying, the moms at the primary school begin to choose sides. Ziggy is not invited to parties, other children are told not to play with him, and then a petition circulates to have him suspended. What makes the story so riveting is that at the beginning the listener learns that someone ends up dead, but who and how isn't revealed until the very end. Narrator Caroline Lee does a great job of portraying the well-drawn characters. Although set in Australia, this could be in your own town and school. VERDICT Well done and enjoyable listening. Recommended for public libraries. ["Once again Moriarty demonstrates an excellent talent for exposing the dark, seedy side of the otherwise 'perfect' family unit while keeping the characters believable enough to be someone you might know," read the starred review of the Amy Einhorn: Putnam hc, LJ Xpress Reviews, 7/4/14.]-Michele Lauer-Bader, formerly with Half Hollow Hills Community Lib., Dix Hills, NY (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
An idyllic Australian seaside town is the setting for this frank and revealing story of domestic abuse, bullying, and infidelity centering on the lives of three wonderful women, acquainted through their young children. Reader Lee aptly portrays Madeline as the voice of reason amid schoolyard gossipers and rumormongers. Voiced as straight-talking, feisty, and loud, Madeline is struggling with her other daughter, a defiant teenager, a derelict ex-husband, and his new bohemian wife. Beautiful, distracted Celeste and her hedge fund husband have material riches, adorable twin boys, and a vile, toxic marriage. Celeste's quiet, hesitant voice conveys the weight of her "secret shame." Single mother Jane's youth and vulnerability are palpable: "All around her was rich, vibrant color; she was the only colorless thing." Controlling, alpha moms-"blond bobs"-provide comic relief to this cautionary tale of parents behaving badly. Lee's lovely Australian accent is delightfully expressive; she skillfully balances a range of voices, thoughts, temperaments, and colloquialisms ("G'day, mate") as characters wrestle with secrets, lies, power, violence, trust, and truth. A Putnam hardcover. (Aug.) © Copyright PWxyz, LLC. All rights reserved.
*Starred Review* It begins with a murder. It's not clear who was killed, but it was definitely someone at the Audrey and Elvis Trivia Night fund-raiser at Piriwee Public School on the coast of Australia. Back up six months, to when Madeline Mackenzie celebrated her fortieth birthday with kindergarten orientation for her youngest daughter, Chloe. She runs into the gorgeous, if spacey, Celeste White and her twin boys; new kid Ziggy Chapman and his mom, shy, jumpy, Jane; and, unfortunately, her ex-husband and his New Age wife, Bonnie, and their daughter, Skye. When a little girl accuses Ziggy of choking her, the class moms begin to divide. As antibullying fervor escalates, Jane grows closer to Madeline, with whom she shares her terrible secret, and Celeste, who is hiding an insidious secret of her own, not that she will admit it. What starts as a send-up of suburban helicopter parenting turns darker as the pages flip by, building to a tense climax at Trivia Night, where one too many fizzy pink cocktails leads to . . . well, murder. Funny and thrilling, page-turning but with emotional depth, Big Little Lies is a terrific follow-up to The Husband's Secret (2013).--Maguire, Susan Copyright 2014 Booklist
Kirkus Book Review
After last years best-sellingThe HusbandsSecret, Australian Moriarty brings the edginess of her less-knownThe Hypnotists Love Story(2012) to bear in this darkly comic mystery surrounding a disastrous parents' night at an elementary school fundraiser.Thanks to strong cocktails and a lack of appetizers, Pirriwee Publics Trivia Night turns ugly when sloshed parents in Audrey Hepburn and Elvis costumes start fights at the main entrance. To make matters worse, out on the balcony where a smaller group of parents have gathered, someone falls over the railing and dies. Was it an accident or murder? Who is the victim? And who, if anyone, is the murderer? Backtrack six months as the cast of potential victims and perps meet at kindergarten orientation and begin alliances and rivalries within the framework of domestic comedy-drama. Theres Chloes opinionated, strong-willed mom, Madeline, a charmingly imperfect Everywoman. Happily married to second husband Ed, Madeline is deeply hurt that her older daughter wants to move in with her ex-husband and his much younger, New-Agey second wife; even worse, the couples waifish daughter, Skye, will be in Chloes kindergarten class. Madelines best friend is Celeste, mother of twins Max and Josh. Its hard for Madeline and the other moms not to envy Celeste. She's slim, rich and beautiful, and her marriage to hedge fund manager Perry seems too perfect to be true; it is. Celeste and Madeline befriend young single mother Jane, who has moved to the coast town with her son, Ziggy, the product of a one-night stand gone horribly wrong. After sweet-natured Ziggy is accused of bullying, the parents divide into defenders and accusers. Tensions mount among the mothers' cliques and within individual marriages until they boil over on the balcony. Despite a Greek chorus of parents and faculty sharing frequently contradictory impressions, the truth remains tantalizingly difficult to sort out.Deservedly popular Moriarty invigorates the tired social-issue formula of womens fiction through wit, good humor, sharp insight into human nature and addictive storytelling. Copyright Kirkus Reviews, used with permission.