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The Face / Dean Koontz.

By: Koontz, Dean R. (Dean Ray), 1945-.
Material type: materialTypeLabelBookPublisher: London : HarperCollins, 2004Description: 672 pages ; 18 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780007130719 (pbk) :.Subject(s): Colecção Suspense -- Fiction | Motion picture actors and actresses -- Fiction | Private security services -- Fiction | Stalking victims -- Fiction | Private security services Fiction | Hollywood (Los Angeles, Calif.) -- FictionGenre/Form: Thrillers (Fiction)DDC classification: 813.54
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Enhanced descriptions from Syndetics:

A novel of fear and suspense, love, loss and redemption, from one of the greatest storytellers writing today. The Face is Dean Koontz's most chilling, gripping and original novel to date.

THE FACE. He's Hollywood's most dazzling star. His flawless features inspire the love of millions - but light the fires of hatred in one twisted soul. A few rain-lashed days before Christmas, a warped star-hater has sent six sinister messages to him, promising a very nasty surprise for the festive season.

The Face's security chief is Ethan Truman, an ex-LAPD cop trying to rebuild his life. Having tracked down the messenger but not the source of the threat, he's worried. But not half as worried as he would be if he knew that Fric, the Face's ten-year-old son, was home alone and getting calls from a pervert claiming he's Moloch, 'devourer of children'.

While the unnatural downpour continues, Ethan must face the secrets of his tragic past and the unmistakable premonition of his own impending violent death as he races to solve the macabre riddles. Meanwhile, a terrified young Fric is planning to go into hiding in his father's vast Bel Air mansion - putting himself beyond Ethan's protection.

And Ethan may be all that stands between Fric and an almost unimaginable evil ...

Originally published: 2003.

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Excerpt provided by Syndetics

Chapter One After the apple had been cut in half, the halves had been sewn together with coarse black thread. Ten bold stitches were uniformly spaced. Each knot had been tied with a surgeon's precision. The variety of apple, a red delicious, might have significance. Considering that these messages had been delivered in the form of objects and images, never in words, every detail might refine the sender's meaning, as adjectives and punctuation refined prose. More likely, however, this apple had been selected because it wasn't ripe. Softer flesh would have crumbled even if the needle had been used with care and if each stitch had been gently cinched. Awaiting further examination, the apple stood on the desk in Ethan Truman's study. The black box in which the apple had been packed also stood on the desk, bristling with shredded black tissue paper. The box had already yielded what clues it contained: none. Here in the west wing of the mansion, Ethan's ground-floor apartment was comprised of this study, a bedroom, a bathroom, and a kitchen. Tall French windows provided a clear view of nothing real. The previous occupant would have called the study a living room and would have furnished the space accordingly. Ethan did too little living to devote an entire room to it. With a digital camera, he had photographed the black box before opening it. He had also taken shots of the red delicious from three angles. He assumed that the apple had been sliced open in order to allow for the insertion of an object into the core. He was reluctant to snip the stitches and to take a look at what might lie within. Years as a homicide detective had hardened him in some respects. In other ways, too much experience of extreme violence had made him vulnerable. He was only thirty-seven, but his police career was over. His instincts remained sharp, however, and his darkest expectations were undiminished. A sough of wind insisted at the French panes. A soft tapping of blown rain. The languid storm gave him excuse enough to leave the apple waiting and to step to the nearest window. Frames, jambs, rails, muntins--every feature of every window in the great house had been crafted in bronze. Exposure to the elements promoted a handsome mottled-green patina on exterior surfaces. Inside, diligent maintenance kept the bronze a dark ruby-brown. The glass in each pane was beveled at every edge. Even in the humblest of service rooms--the scullery, the ground-floor laundry--beveling had been specified. Although the residence had been built for a film mogul during the last years of the Great Depression, no evidence of a construction budget could be seen anywhere from the entrance foyer to the farthest corner of the last back hall. When steel sagged, when clothes grew moth-eaten on haberdashery racks, when cars rusted on showroom floors for want of customers, the film industry nevertheless flourished. In bad times as in good, the only two absolute necessities were food and illusions. From the tall study windows, the view appeared to be a painting of the kind employed in motion-picture matte shots: an exquisitely rendered dimensional scene that, through the deceiving eye of the camera, could serve convincingly as a landscape on an alien planet or as a place on this world perfected as reality never allowed. Greener than Eden's fields, acres of lawn rolled away from the house, without one weed or blade of blight. The majestic crowns of immense California live oaks and the drooping boughs of melancholy deodar cedars, each a classic specimen, were silvered and diamonded by the December drizzle. Through skeins of rain as fine as angel hair, Ethan could see, in the distance, the final curve of the driveway. The gray-green quartzite cobblestones, polished to a sterling standard by the rain, led to the ornamental bronze gate in the estate wall. During the night, the unwanted visitor had approached the gate on foot. Perhaps suspecting that this barrier had been retrofitted with modern security equipment and that the weight of a climber would trigger an alarm in a monitoring station, he'd slung the package over the high scrolled crest of the gate, onto the driveway. The box containing the apple had been cushioned by bubble wrap and then sealed in a white plastic bag to protect it further from foul weather. A red gift bow, stapled to the bag, ensured that the contents would not be mistaken for garbage. Dave Ladman, one of two guards on the graveyard shift, retrieved the delivery at 3:56 a.m. Handling the bag with care, he had carried it to the security office in the groundskeeper's building at the back of the estate. Dave and his shift partner, Tom Mack, x-rayed the package with a fluoroscope. They were looking for wires and other metal components of an explosive device or a spring-loaded killing machine. These days, some bombs could be constructed with no metal parts. Consequently, following fluoroscopy, Dave and Tom employed a trace-scent analyzer capable of recognizing thirty-two explosive compounds from as few as three signature molecules per cubic centimeter of air. When the package proved clean, the guards unwrapped it. Upon discovering the black gift box, they had left a message on Ethan's voice mail and had set the delivery aside for his attention. At 8:35 this morning, one of the two guards on the early shift, Benny Nguyen, had brought the box to Ethan's apartment in the main house. Benny also arrived with a videocassette containing pertinent segments of tape from perimeter cameras that captured the delivery. In addition, he offered a traditional Vietnamese clay cooking pot full of his mother's com tay cam, a chicken-and-rice dish of which Ethan was fond. "Mom's been reading candle drippings again," Benny said. "She lit a candle in your name, read it, says you need to be fortified." "For what? The most strenuous thing I do these days is get up in the morning." "She didn't say for what. But not just for Christmas shopping. She had that temple-dragon look when she talked about it." "The one that makes pit bulls bare their bellies?" "That one. She said you need to eat well, say prayers without fail each morning and night, and avoid drinking strong spirits." "One problem. Drinking strong spirits is how I pray." "I'll just tell Mom you poured your whiskey down the drain, and when I left, you were on your knees thanking God for making chickens so she could cook com tay cam." "Never knew your mom to take no for an answer," Ethan said. Benny smiled. "She won't take yes for an answer, either. She doesn't expect an answer at all. Only dutiful obedience." Now, an hour later, Ethan stood at a window, gazing at the thin rain, like threads of seed pearls, accessorizing the hills of Bel Air. Watching weather clarified his thinking. Sometimes only nature felt real, while all human monuments and actions seemed to be the settings and the plots of dreams. From his uniform days through his plainclothes career, friends on the force had said that he did too much thinking. Some of them were dead. The apple had come in the sixth black box received in ten days. The contents of the previous five had been disturbing. Courses in criminal psychology, combined with years of street experience, made Ethan hard to impress in matters regarding the human capacity for evil. Yet these gifts provoked his deep concern. In recent years, influenced by the operatically flamboyant villains in films, every common gangbanger and every would-be serial killer, starring in his own mind movie, could not simply do his dirty work and move along. Most seemed to be obsessed with developing a dramatic persona, colorful crime-scene signatures, and ingenious taunts either to torment their victims beforehand or, after a murder, to scoff at the claimed competence of law-enforcement agencies. Their sources of inspiration, however, were all hackneyed. They succeeded only in making fearsome acts of cruelty seem as tiresome as the antics of an unfunny clown. The sender of the black boxes succeeded where others failed. For one thing, his wordless threats were inventive. When his intentions were at last known and the threats could be better understood in light of whatever actions he took, they might also prove to be clever. Even fiendishly so. In addition, he conferred on himself no silly or clumsy name to delight the tabloid press when eventually they became aware of his game. He signed no name at all, which indicated self-assurance and no desperate desire for celebrity. For another thing, his target was the biggest movie star in the world, perhaps the most guarded man in the nation after the President of the United States. Yet instead of stalking in secret, he revealed his intentions in wordless riddles full of menace, ensuring that his quarry would be made even more difficult to reach than usual. Having turned the apple over and over in his mind, examining the details of its packaging and presentation, Ethan fetched a pair of cuticle scissors from the bathroom. At last he returned to the desk. He pulled the chair from the knee space. He sat, pushed aside the empty gift box, and placed the repaired apple at the center of the blotter. The first five black boxes, each a different size, and their contents had been examined for fingerprints. He had dusted three of the deliveries himself, without success. Because the black boxes came without a word of explanation, the authorities would not consider them to be death threats. As long as the sender's intention remained open to debate, this failed to be a matter for the police. Deliveries 4 and 5 had been trusted to an old friend in the print lab of the Scientific Investigation Division of the Los Angeles Police Department, who processed them off the record. They were placed in a glass tank and subjected to a cloud of cyanoacrylate fumes, which readily condensed as a resin on the oils that formed latent prints. In fluorescent light, no friction-ridge patterns of white resin had been visible. Likewise, in a darkened lab, with a cone-shaded halogen lamp focused at oblique angles, the boxes and their contents continued to appear clean. Black magnetic powder, applied with a Magna-Brush, had revealed nothing. Even bathed in a methanol solution of rhodamine 6G, scanned in a dark lab with the eerie beam from a water-cooled argon ion laser generator, the objects had revealed no telltale luminous whorls. The nameless stalker was too careful to leave such evidence. Nevertheless, Ethan handled this sixth delivery with the care he'd exhibited while examining the five previous items. Surely no prints existed to be spoiled, but he might want to check later. With the cuticle scissors, he snipped seven stitches, leaving the final three to serve as hinges. The sender must have treated the apple with lemon juice or with another common culinary preservative to ensure a proper presentation. The meat was mostly white, with only minor browning near the peel. The core remained. The seed pocket had been scooped clean of pits, however, to provide a setting for the inserted item. Ethan had expected a worm: earthworm, corn earworm, cutworm, leech, caterpillar, trematode, one type of worm or another. Instead, nestled in the apple flesh, he found an eye. For an ugly instant, he thought the eye might be real. Then he saw that it was only a plastic orb with convincing details. Not an orb, actually, but a hemisphere. The back of the eye proved to be flat, with a button loop. Somewhere a half-blinded doll still smiled. When the stalker looked at the doll, perhaps he saw the famous object of his obsession likewise mutilated. Ethan was nearly as disturbed by this discovery as he might have been if he'd found a real eye in the red delicious. Under the eye, in the hollowed-out seed pocket, was a tightly folded slip of paper, slightly damp with absorbed juice. When he unfolded it, he saw typing, the first direct message in the six packages: The eye in the apple? The watchful worm? The worm of original sin? Do words have any purpose other than confusion? Ethan was confused, all right. Whatever it meant, this threat--the eye in the apple--struck him as particularly vicious. Here the sender had made an angry if enigmatic statement, the symbolism of which must be correctly interpreted, and urgently. From the Hardcover edition. Excerpted from The Face by Dean Koontz All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Koontz is the master of the supernatural-suspense novel and other cross-genre literary combinations. These two works demonstrate his talent for creating unlikely early situations in multiple and disparate story lines, then pulling them together for convincing and ultimately uplifting denouements. He does this seemingly effortlessly with great writing and excellent characters and dialog. In One Door Away from Heaven, read by Anne Twomey, a fictional condemnation of utilitarian bioethics, the author joins plot elements that include an endangered and precocious child, human-dog bonding, the world of UFO and ET cultism, and an imperiled alien who's been placed on Earth to help save the planet. In The Face, read by Dylan Baker, a sadistic professor of literature plans to kidnap and torture the lonely and marginalized child of the world's most famous movie star, Channing Manheim (a.k.a. "The Face"). Channing's security chief is aided by a guardian angel, among other supernatural entities, in thwarting the attack. In both programs, the readers do a great job of capturing the personalities of Koontz's roster of unique, kooky, evil, cynical, canine, alien, divine, and undead characters. Both programs are highly recommended.-Kristen L. Smith, Loras Coll. Lib., Dubuque, IA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

The final pages of Koontz's newest are uplifting enough to make Cain repent and Pilate weep. And there's much else in this novel to savor-and savor it readers must, because some of the book is slow going (it's also much too long). There's scarcely an author alive who, judging by his books, loves the English language more than Koontz; there's certainly no bestselling author of popular fiction who makes more use of figures of speech and whose sentences offer more musicality. That can be Koontz's weakness as well as strength, however. Koontz is also one of the great suspense authors, and when he's fashioned a particularly robust plot to carry his creative prose, as in last year's By the Light of the Moon, he's an Olympian. But when he stretches a thin story line beyond resilience, the language can overcome the narrative like kudzu vines. That happens here, despite the tale's grandeur and strong lines. The eponymous Face is the world's biggest movie star; he doesn't appear in the novel, but his smart, geeky 10-year-old son, Fric, takes center stage, as does Ethan Truman, cop-turned-security chief of the Face's elaborate estate and Fric's main human protector when one Corky Laputa, who's dedicated his life to anarchy, decides to sow further disorder by kidnapping this progeny of the world's idol. Fric's secondary protector was also human, a mobster, until he recently died and became Fric's (somewhat inept) guardian angel. Most of the narrative concerns Corky's abominations and Ethan and Fric's dawning awareness, via numerous uncanny events, of the unfolding horror. Koontz's characters are memorable and his unique mix of suspense and humor absorbing; but his overwriting-e.g., a chapter of about 2,000 words to describe Corky's coverup of a murder, when a sentence or two would have sufficed-make this worthy novel less than a dream. Still, great kudos to Koontz for creating, within the strictures of popular fiction, another notable novel of ideas and of moral imperatives. (On sale May 27) Forecast: Koontz regularly publishes one novel a year, usually around the year-end holidays. Will the market buy one just six months after his last? Sure it will: look for this to hit #1. (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Not a damsel, but a poor little rich kid is in distress in Koontz's latest thriller. Aelfric-Fric for short-is the skinny, 10-year-old son of the biggest movie star in the world, Channing Manheim, called The Face after his most obvious asset. A homicidal anarchist literature professor plans to kidnap and torture the boy to death, recording the proceedings for controlled leakage to the media, all for the sake of making everyone paranoid and increasing disorder in the world. The psycho has figured out how to get Fric despite the fact that the Manheim mansion is as well guarded as the White House. Chief of security Ethan Truman is certainly capable of dealing with the sicko, but he thinks the threat implied by six mysterious packages sent to the mansion is against The Face. Fortunately, a series of very convincing hallucinations is prodding Ethan toward enlightenment at the same time that untraceable phone calls and a man who emerges from and disappears back into reflective surfaces are warning Fric of oncoming danger. Koontz keeps the suspense setting on high and rides his hobbyhorses against Hollywood, the media, and present-day academe, while proving that his sense of brand-name product placement is superb. Good summertime scare fluff. --Ray Olson

Kirkus Book Review

Koontz flexes his muscles and sets forth like a demigod to create his most strongly anchored novel since 1995's Intensity, a work sheathed with darkness and wreathed with wiry metaphor. Ethan Truman, 37, a widower and retired homicide detective, has been hired as head of security for huge Palazzo Rospo, a mansion owned by Hollywood's greatest star, Channing Manheim, a seductively empty actor nicknamed The Face. He's often not home, and the roost is ruled by his brilliant ten-year-old son Fric (Aelfric), who gets $35 grand a year to redecorate his bedroom but gets ghostly phone calls as well. Koontz swoons through all the rooms of the manse, the first-class library of 35,000 volumes, the dustless wine cellar with 14,000 bottles that must be given a quarter turn every four months, the incredible phone system, whose every switch is blueprinted for the reader. Well, an anarchist teacher of modern fiction, Corky Laputa, has been sending The Face symbolic packages that suggest bad feelings: say, a fresh apple halved and stitched together with a blue doll's eye hidden inside. Even Koontz himself may not know what this means while unrolling hundreds of pages of top-drawer suspense and masterly set design. Duncan "Dunnie" Whistler, an old buddy of Ethan's and suitor of Ethan's dead wife Hannah, drowns in a toilet but arises in the morgue, dresses, leaves, and buys Broadway roses for Hannah's grave. During this long day's journey, Ethan himself dies twice, once by gunfire, once crushed by a truck, and returns to life, weirdly hale. Then there's Mr. Typhon, the swank storm god, who hires dead Dunnie as a hit man--to protect Ethan? At last, all astral questions focus on The Face and what might possibly be behind it. High art? Mm, maybe, let's wait and see--and does it matter anyway? Copyright ©Kirkus Reviews, used with permission.