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So much pretty : a novel / Cara Hoffman.

By: Hoffman, Cara.
Material type: materialTypeLabelBookPublisher: New York : Simon & Schuster Paperbacks, 2012Description: 283 pages ; 22 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781451617283 (pbk.); 1451617283 (pbk.).Subject(s): Women -- Fiction | Missing persons -- Fiction | Serial murderers -- Fiction | Country life -- New York (State) -- Fiction | New York (N.Y.) -- FictionGenre/Form: Detective and mystery fiction.Summary: Five months after she disappeared, Wendy White's body is found in a ditch just off one of Haeden's main roads. Suddenly, reporter Stacy Flynn has a big story, but no one wants to talk to her in this small upstate New York town. Then fifteen-year-old Alice Piper, an imaginative student with a genius IQ and strong ideals, begins to connect the dots of Wendy's disappearance and death when a second crime rocks the town to its core.
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Enhanced descriptions from Syndetics:

" So Much Pretty is a fearless first novel," announced The New York Times Book Review , "for all the passion in this intense narrative, Hoffman writes with a restraint that makes poetry of pain."

Set in a rural community steeped in silence and denial, So Much Pretty explores all parents' greatest fear, that their child will be hurt. But it also examines a second, equally troubling question: What if my child hurts someone else? The disappearance and murder of nineteen-year-old Wendy White is detailed through the eyes of journalist Stacy Flynn and a host of other richly drawn characters, each with their own secrets and convictions. After Wendy's body is found, Flynn's intense crusade to expose a killer draws the attention of a precocious local girl, Alice Piper, whose story intertwines with Wendy's in a spellbinding and unexpected climax.

Five months after she disappeared, Wendy White's body is found in a ditch just off one of Haeden's main roads. Suddenly, reporter Stacy Flynn has a big story, but no one wants to talk to her in this small upstate New York town. Then fifteen-year-old Alice Piper, an imaginative student with a genius IQ and strong ideals, begins to connect the dots of Wendy's disappearance and death when a second crime rocks the town to its core.


Excerpt provided by Syndetics

Prologue THEY ARE LOOKING for someone with blond or dark brown or black hair. Someone with blue or maybe brown or green eyes. She could be five foot six or five-eight. Her hair could also be red, could be an unnatural color like pink or white. It is likely she weighs between 110 and 140 pounds and may have a scar or bruise on her throat. She would be working somewhere unseen. Working as a waitress or secretary or laborer. She could be a student. There is a strong possibility she would have a nontraditional job. That she's transient, works agriculture or construction or second shift. She has physical strength and is articulate. Could be speaking English or Spanish or French. Could be in New York or Illinois or Tennessee. Canada or Mexico. Places where it rains all day or places where the grass has burnt to yellow. Could be among hollows between road and field, trails where the creek bed has dried. Could be anywhere. She could be hitchhiking or taking public transportation, could be walking. She could be named Jamie, or Catherine, or Liz. Alexandra, Annie, Maria. Any name at all. She may be aloof. She may be sensitive and drawn to helping people. She is on her own and likely broke, and might be reliant on those she doesn't know. Searches peaked in the spring and summer months, and they are looking for her still. As we are well aware, it is easy for a woman who fits this description to just disappear. © 2011 Cara Hoffman Claire ALL THREE OF us walked in our sleep. Later, when I would think about what happened, I would tell myself she was sleepwalking. Acting out a nightmare. Sleepwalking ran in our family. Dreaming while walking. Dreaming while talking. I know this is not an answer. The real answer is too simple. Did she have health problems? Was she low-birth weight? Did she have headaches? Self-destructive behavior? Sudden changes in grades or friends? No. Alice was a remarkably consistent soul. Healthy and athletic like her father. At home wherever she was. Happy at school and happy with all the things outside of school. Gymnastics and trapeze. And later, swimming, building, archery, shooting. Her focus was so joyful, so intense. Like her happiness, when she was little, about swimming in the river, about building the cardboard forest or the paper Taj Mahal. Once she made a mobile of hundreds of origami frogs, locusts, paper dolls, and butterflies. She was never bored. Had the same friends at sixteen as she'd had at four. Her teachers talked about how she was a "leader." It was a word they used often, and this is certainly part of the problem. "A Leader." But they also talked about how she was sensitive to other children, always so caring. I am not trying to justify a thing. I am not trying to make excuses for my daughter. I am describing it as it was. Before April 14, the words "I am Alice Piper's mother" meant very little to anyone but me. Now those words are a riddle, a koan. A thing I have to understand even though nothing will change, even though the phrase "nothing will change" is something we fought against our entire lives. The years in which we raised her were marked by diminishing returns for our diminishing expectations. But it hadn't always been that way. Things were different in the city. We moved because of Constant's uncle. Because of Gene's dreams about land and air and autonomy. But also because of me. Because of traffic and noise and sewer smells and the seventy hours a week I worked at the city's Comprehensive Free Clinic for the Uninsured on First Avenue. Prior to moving upstate, Gene and I lived on Saint Mark's and First Avenue. Then later in a two-bedroom apartment on First and Seventh, with Constant and Michelle Mann, who were also done with their residencies and, like Gene and I, planned on working for Doctors Without Borders. We moved to First and Seventh because of the rooftop, so Gene could have space to plant. In those days everyone but Gene was exhausted--sometimes punch-drunk on three hours of sleep a night, nodding off on the subway coming home from Lenox Hill or staggering bleary-eyed in clogs and scrubs from Beth Israel or CFC. We all felt like the walking dead, knew we were in bad shape, envying Gene, especially later, when he was home all day with the baby. In the end, moving to Haeden was all we wanted. When we drove out to the house and barn through that wet and green countryside, we were excited. We would finally have a place of our own. The apparent beauty and possibility of it all was overwhelming, something we had tried and failed to build for ourselves the last six years in New York. Even the double-wides and sloping farmhouses with their black POW and American flags seemed oddly majestic with so much land around them, the tiniest trailers close to creeks or ponds. As we drove in, I was thinking about Michelle when we worked in the clinic together, saying the responsibility of every intelligent person is to pay attention to the obvious. How had we missed the obvious benefit of all this land? A whole house and acreage for the cost of one room on the Lower East Side. I was thinking how, the second we got out of the car and brought our boxes inside and wrote Uncle Ross his rent check, this whole thing would start. In those days I could not wait for it to start. Alice was two then, and we walked inside and put our boxes down and sat on the kitchen floor, nervous and tired from the drive, eating some blueberries we had bought on the way. She had just woken up and her face was placid and her hair was tangled and she leaned against me eating blueberries, her body warm and gentle from sleep. Then evening came in from the fields and lit the place with sound and stars. Peepers called up from the river, and crickets played below the windows in the grass. It was the first time Alice had heard crickets, and we went out on the porch together, Gene and I, watched her listen, quiet and alert and hunkered down, her whole body taking in the sound. Her blue-stained lips parted and her eyes shining. It was Alice's happiness, her joy in those moments, that allowed me to stay even years after, when paying attention to the obvious became a horror. And for a long time we did not regret our singular vision. Our attempt to strip the irony from the slogans we'd come to live by. Phrases that buoyed us and embarrassed us at the same time. "Demand the Impossible," "Beneath the Paving Stones, the Beach," anarchist sentiments we first took up in the city as a joke, then ultimately to comfort one another, to remind ourselves that we were different from our cohorts. Those words seemed--with all the incessant construction, and the destruction of the natural world, and Gene becoming fixated on "living the solution" and bringing down corporate agribusiness--more poignant at that time than when real revolutionaries scrawled them on the Paris streets in 1968. We might not have been burning cars and shutting down a city, but we were living in the sterile and violent future they had imagined, and we were certainly committed to destroying one culture by cultivating another. This sensibility was one more way we were sleepwalking, dreaming. We did not stick with our plan. Though all four of us had passed the initial screening process for Doctors Without Borders, only one of us left on assignment. Gene and I were graced with Alice; Constant became plagued by an American concept of freedom, liquidity, mobility. These changes did not seem pivotal at the time, seemed instead the best possible outcome, exciting, a release. And how could we not admit that what we had been looking for by joining Doctors Without Borders was a release. Absolution from the lifestyle our postresidency careers seemed to necessitate, a lifestyle that was making the four of us--and not our colleagues--sick. Those early years in Haeden were restful. Literally. Luxurious eight- and ten-hour nights. Waking up to quiet and birds instead of traffic. No six a.m. meetings at the clinic. Each season with its own particular beauty. Bright, quiet winters snowed in and baking bread together, sitting around the woodstove, each of us silently reading. Summers resonant with the hum and staggered harmony of insects. The meadow in front of our house growing tall and strange from the warm rain. Swimming in the river and tending our vegetable garden. Alice could talk pretty well when we moved, and she loved the sounds, imitated them. Never herself, she was a frog, a mermaid, a bird. Radiant fall spent roasting and canning peppers with the smell of wood smoke on the cool air. And spring: Alice's favorite time in the world, when everything comes back to life and it's warm, with patches of snow, and we would wear shorts and big rubber boots and celebrate the first snowbells and crocuses. The air was lush and still cold and smelled like mud. Alice loved to run along the mowed path all the way to the river. In those early summers she was no taller than the goldenrod, just a head above the jack-in-the-pulpit that flanked the trails between the barn and woods. She loved to climb in the exposed roots of trees along the pebbled riverbank and collect stones and dried skeletons of crayfish. She was fearless. We expected after a few years our friends would come, build, plant. Once Constant had made the money he wanted, once Michelle had finished her assignment, we would get back to the land, we would live and drink and work by the ideals we'd always had. Mutual Aid, No Boredom. We expected, when Alice was bigger, we'd have enough money to have a real farm and for me to go back to some kind of practice. But these things never happened, and paying attention to the darker aspects of the obvious became a bad way to live if we wanted to stay happy and make friends. Sleep had won out at last. We moved through our days in Haeden in a somnolent kind of daze, blithe when our senses called for panic, blind to our deepest fear, even as it lay, naked among the tall weeds, waiting. © 2011 Cara Hoffman Excerpted from So Much Pretty: A Novel by Cara Hoffman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Hoffman is a journalist who has reported on rural and Rust Belt poverty, environmental politics, and violence and adolescents. The theme of her first novel is innocence lost and idealism gone wrong. The story focuses on Alice Piper, the precocious daughter of two doctors who leave the big city to work in upstate New York. In the rundown little town of Haeden, things are never what they seem, as the tone of the novel grows more sinister and a young woman disappears. As a psychological thriller, the novel could benefit from being more streamlined in the early chapters. The constant jumping between past and present and various points of view feels too choppy. But the pace quickens as Hoffman brings the story to its dark and chilling conclusion. VERDICT This gripping novel asks readers to judge whether a horrible crime can ever justify a terrible act of revenge. It will engage individuals and book groups interested in debating this tough topic.-Leslie Patterson, Rehoboth, MA (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

In this remarkable debut, Hoffman addresses serious injustices in present-day America. In 1992, Claire and Gene Piper, both idealistic New York City physicians, eschew joining Doctors Without Borders and decide instead to move with their gifted two-year-old daughter, Alice, to upstate Haeden, N.Y., to pursue the simple life in the spirit of the '60s back-to-nature movement. After nearly two fruitless decades, Gene's hope of destroying corporate agribusiness in the name of "land and air and autonomy" has left Claire exhausted, in body and soul, and Alice determined to avenge a ghastly crime against all women that she realizes is implicit in Haeden's smalltown-ghost town mentality. Meanwhile, journalist Stacy Flynn indicts Big Pharm for forcing scientists to manipulate people into doing things the scientists believe are wrong, and factory food production for repurposing the countryside into a toxic-waste site. Hoffman's doomed characters burn their way off her angry pages. This searing novel will linger long in the reader's memory. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

Booklist Review

A mixture of The Lovely Bones and The Girl with the Dragon Tattoo, Hoffman's first novel is a small-town murder mystery with a surprising twist. Haeden, New York, leaves much to be desired for Flynn, the young reporter covering the community beat. But when Wendy White, the local bar maid, goes missing, and Flynn begins uncovering some disturbing local secrets, things get very interesting. Meanwhile, high-school student Alice Piper is facing her own challenges. She's smart, creative, and quickly outgrowing the small-town mentality of Haeden. Her family encourages her feisty spirit, and her best friend, Theo, is her accomplice in more ways than one. Hoffman's narrative oscillates between various characters, carefully building suspense, depth, and new insight with every chapter. Let's hope we will be seeing more of this talented new writer.--Paulson, Heather Copyright 2010 Booklist

Kirkus Book Review

Hoffman's debut novel takes readers to the unsexy world of rural New York and a farming community with more than one secret.Stacy Flynn is a reporter covering the tiny town of Haeden. Flynn is on the prowl for the story that will make her name in the field of investigative journalism, and she's decided that Haeden and its acres of dairy farms are just the ticket to an award. Flynn writes and edits the local paper, but she's not a Haeden native. Instead, she moved from Cleveland to take over the town rag, covering football games and pancake breakfasts under the occasional eye of the former editor. But when the body of a waitress and local favorite, Wendy White, turns up, Flynn bites into the story like a starving dog. Something is very wrong with the way the police and the town are treating White's murder, and she's not the only one who thinks that way. But there's another case, a more recent one, and that one really weighs on Flynn's mind. It centers on the most unlikely family imaginable: a pair of disaffected doctors turned hippies and their brilliant little girl, Alice. Unhappy with the way their lives were going in New York City, the Piper family moved to Haeden when Claire and Gene left medicine. Gene, Alice's father, also believes, as does Flynn, that the dairy business is poisoning the water and land for miles around. Told from Gene's, Alice's and Flynn's perspectives, along with those of many others, including the dead girl's, Hoffman's book rotates points of view every couple of pages. Although mostly well written, the story devolves into some snooze-worthy prose, particularly sections detailing agricultural practices and Alice's essays. The author tells the reader over and over that the women in this story are strong and, in the end, she proves it.Hoffman wanders into the cow pasture a little too often, but the intersection of the lives of two smart young women with a shared consciousness turns what could have been a boring tale into something worth reading.]] Copyright Kirkus Reviews, used with permission.