Colorful impressions : the printmaking revolution in eighteenth-century France / Margaret Morgan Grasselli, Kristel Smentek and Judith C. Walsh.
Contributor(s): Smentek, Kristel | Walsh, Judith G.Material type: BookPublisher: Aldershot : Lund Humphries, 2003Description: 160 pages ; 27cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 0853318921.Subject(s): Prints -- France -- 18th century | Prints -- France -- Technique | Prints, FrenchDDC classification:
|Item type||Current location||Collection||Call number||Copy number||Status||Date due|
|Non-Fiction||Davis (Central) Library Non-Fiction||Non-Fiction||769.944 GRA||1||Available|
Enhanced descriptions from Syndetics:
One of the most glorious and creative periods in the history of colour printmaking occurred in 18th-century France. Newly invented engraving and etching techniques were combined with new ways of printing a single image from multiple plates, allowing printmakers to replicate a broad palette of colours using variants of only four: blue, red, yellow and black. The resulting prints were so believable that they were often called printed paintings and engraved drawings. familiar to scholars and collectors, but the artists whose compositions they copied include some of the greatest talents of the period - Watteau, Boucher, Fragonard and Boilly all feature, along with many others. is a useful addition to the literature on this topic. Reproducing all the featured prints in colour, the images are supported by a range of scholarly essays.