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Shanghai girls / Lisa See.

By: See, Lisa.
Material type: materialTypeLabelBookPublisher: London : Bloomsbury, 2009Description: 314 pages ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780747597384 (pbk.); 0747597383 (pbk.); 9780812980530 (pbk.).Subject(s): Sisters -- Fiction | Chinese -- United States -- Fiction | Immigrants -- United States -- Fiction | Family secrets -- FictionGenre/Form: Domestic fiction.DDC classification: 813.54 Subject: Shanghai, 1937. Pearl and May are two sisters from a bourgeois family. Though their personalities are very different - Pearl is a Dragon sign, strong and stubborn, while May is a true Sheep, adorable and placid - they are inseparable best friends. Both are beautiful, modern and living a carefree life until the day their father tells them that he has gambled away the family's wealth, and that in order to repay his debts he must sell the girls as wives to two 'Gold Mountain' men: Americans. As Japanese bombs fall on their beloved city, the two sisters set out on the journey of a lifetime, one that will take them through the villages of southern China, in and out of the clutches of brutal soldiers, and even across the ocean, through the humiliation of an anti-Chinese detention centre to a new, married life in Los Angeles's Chinatown. Here they begin a fresh chapter, despite the racial discrimination and anti-Communist paranoia, because now they have something to strive for: a young, American-born daughter, Joy. Along the way there are terrible sacrifices, impossible choices and one devastating, life-changing secret, but through it all the two heroines of this astounding new novel by Lisa See hold fast to who they are - Shanghai girls.
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Enhanced descriptions from Syndetics:

Shanghai, 1937. Pearl and May are two sisters from a bourgeois family. Though their personalities are very different - Pearl is a dragon sign, strong and stubborn, while May is a true sheep, adorable and placid - they are inseparable best friends. Both are beautiful, modern and living a carefree life ... until the day their father tells them that he has gambled away the family's wealth, and that in order to repay his debts he must sell the girls as wives to two 'Gold Mountain' men- Americans.
As Japanese bombs fall on their beloved city, the two sisters set out on the journey of a lifetime, one that will take them through the villages of Southern China, in and out of the clutches of brutal soldiers, and even across the ocean, through the humiliation of an anti-Chinese detention centre to a new, married life in Los Angeles' Chinatown. Here they begin a fresh chapter, despite the racial discrimination and anti-Communist paranoia, because now they have something to strive for- a young, American-born daughter, Joy.
Along the way there are terrible sacrifices, impossible choices and one devastating, life-changing secret, but through it all the two heroines of this astounding new novel hold fast to who they are - Shanghai girls.

Shanghai, 1937. Pearl and May are two sisters from a bourgeois family. Though their personalities are very different - Pearl is a Dragon sign, strong and stubborn, while May is a true Sheep, adorable and placid - they are inseparable best friends. Both are beautiful, modern and living a carefree life until the day their father tells them that he has gambled away the family's wealth, and that in order to repay his debts he must sell the girls as wives to two 'Gold Mountain' men: Americans. As Japanese bombs fall on their beloved city, the two sisters set out on the journey of a lifetime, one that will take them through the villages of southern China, in and out of the clutches of brutal soldiers, and even across the ocean, through the humiliation of an anti-Chinese detention centre to a new, married life in Los Angeles's Chinatown. Here they begin a fresh chapter, despite the racial discrimination and anti-Communist paranoia, because now they have something to strive for: a young, American-born daughter, Joy. Along the way there are terrible sacrifices, impossible choices and one devastating, life-changing secret, but through it all the two heroines of this astounding new novel by Lisa See hold fast to who they are - Shanghai girls.

Excerpt provided by Syndetics

Chapter One Beautiful Girls "our daughter looks like a South China peasant with those red cheeks," my father complains, pointedly ignoring the soup before him. "Can't you do something about them?" Mama stares at Baba, but what can she say? My face is pretty enough- some might even say lovely-but not as luminescent as the pearl I'm named for. I tend to blush easily. Beyond that, my cheeks capture the sun. When I turned five, my mother began rubbing my face and arms with pearl creams, and mixing ground pearls into my morning jook-rice porridge-hoping the white essence would permeate my skin. It hasn't worked. Now my cheeks burn red-exactly what my father hates. I shrink down into my chair. I always slump when I'm near him, but I slump even more on those occasions when Baba takes his eyes off my sister to look at me. I'm taller than my father, which he loathes. We live in Shanghai, where the tallest car, the tallest wall, or the tallest building sends a clear and unwavering message that the owner is a person of great importance. I am not a person of importance. "She thinks she's smart," Baba goes on. He wears a Western-style suit of good cut. His hair shows just a few strands of gray. He's been anxious lately, but tonight his mood is darker than usual. Perhaps his favorite horse didn't win or the dice refused to land his way. "But one thing she isn't is clever." This is another of my father's standard criticisms and one he picked up from Confucius, who wrote, "An educated woman is a worthless woman." People call me bookish, which even in 1937 is not considered a good thing. But as smart as I am, I don't know how to protect myself from my father's words. Most families eat at a round dining table, so they will always be whole and connected, with no sharp edges. We have a square teakwood table, and we always sit in the exact same places: my father next to May on one side of the table, with my mother directly across from her so that my parents can share my sister equally. Every meal-day after day, year after year-is a reminder that I'm not the favorite and never will be. As my father continues to pick at my faults, I shut him out and pretend an interest in our dining room. On the wall adjoining the kitchen, four scrolls depicting the four seasons usually hang. Tonight they've been removed, leaving shadow outlines on the wall. They aren't the only things missing. We used to have an overhead fan, but this past year Baba thought it would be more luxurious to have servants fan us while we ate. They aren't here tonight and the room is sweltering. Ordinarily an art deco chandelier and matching wall sconces of etched yellow-and-rose-tinted glass illuminate the room. These are missing as well. I don't give any of this much thought, assuming that the scrolls have been put away to prevent their silken edges from curling in the humidity, that Baba has given the servants a night off to celebrate a wedding or birthday with their own families, and that the lighting fixtures have been temporarily taken down for cleaning. Cook-who has no wife and children of his own-removes our soup bowls and brings out dishes of shrimp with water chestnuts, pork stewed in soy sauce with dried vegetables and bamboo shoots, steamed eel, an eight-treasures vegetable dish, and rice, but the heat swallows my hunger. I would prefer a few sips of chilled sour plum juice, cold mint-flavored sweet green bean soup, or sweet almond broth. When Mama says, "The basket repairer charged too much today," I relax. If my father is predictable in his criticisms of me, then it's equally predictable that my mother will recite her daily woes. She looks elegant, as always. Amber pins hold the bun at the back of her neck perfectly in place. Her gown, a cheongsam made of midnight blue silk with midlength sleeves, has been expertly tailored to fit her age and Excerpted from Shanghai Girls by Lisa See All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

In prewar 1930s Shanghai, carefree sisters Pearl Chin and younger, prettier May are the "beautiful girls" whose images on posters beckon viewers to buy products. They openly scoff at their parents' superstitious, old-world ways, but they soon learn that the good life is but an illusion. The Japanese army's brutal invasion of the city makes their lives as beautiful girls impossible. Their businessman father loses everything to the ruthless mob, and to pay off his debts he forces his daughters into arranged marriages to Chinese men living in the United States. See is masterly in her powerful depictions of the prejudice and harsh treatment the sisters encounter as they try to assimilate into the strange new world of Los Angeles. Possibly the best book yet from the author of Peony in Love; highly recommended. [See Prepub Alert, LJ 2/1/09.]-Marika Zemke, Commerce Twshp. Community Lib., MI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Review

Adult/High School-This extensively researched historical novel is engrossing and readable. Spanning three decades and two continents (from 1930s China to Los Angeles in the 1950s), the book explores universal themes: adolescence, family relationships, secrets, immigration, and discrimination. Readers meet Pearl and May as teenage sisters in prewar Shanghai. They revel in modern ways and defy the wishes of their parents by modeling for "Beautiful Girls" calendars and staying out until the wee hours. Pearl's narration has a confiding tone in the early chapters-she discusses clothes, make-up, parental restrictions, and love interests. As the story develops, See balances Pearl's personal revelations with evocative descriptions of people, places, meals, and Chinese customs, as well as several suspenseful episodes of action and drama. The well-drawn characters face realistic hardships, some personal (lost love, business failures) and others global (Japanese atrocities in China, World War II, communism). Vivid descriptions of life at Angel Island Immigration Station, the development of L.A.'s Chinatown, filmmaking in 1940s Hollywood, and the 1950s Confession Program convey the stress, excitement, and longing for home that many Chinese immigrants experienced in the United States. This book will appeal to readers of historical fiction, and may be of special interest to those with ties to the Chinese community.-Sondra VanderPloeg, Colby-Sawyer College, New London, NH (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

Today they would be called fashion models. But in early-twentieth-century China, sisters Pearl and May were known quaintly as beautiful girls, whose sophisticated cover-girl images set the standard for young Chinese women and exemplified the hopes of an ancient nation catapulted into anxious modernity as it balanced on the brink of war. Paradoxically, Pearl and May were also the products of a traditional upbringing in which their father controlled their destiny, selling them into marriage to Chinese men from America to settle gambling debts to a depraved Shanghai mobster. The tortuous route they take to first avoid, then accept, and finally embrace their abrupt fall from grace is rife with the most heinous tragedies rape and murder, betrayal and abandonment, poverty and servitude. Through it all, one thing ensures their survival: the sisters are tenaciously devoted to each other, though time and events will strain this loyalty nearly to the point of destruction. Examining the chains of friendship within the confines of family, See's kaleidoscopic saga transits from the barbaric horrors of Japanese occupation to the sobering indignities suffered by foreigners in 1930s Hollywood while offering a buoyant and lustrous paean to the bonds of sisterhood.--Haggas, Carol Copyright 2009 Booklist

Kirkus Book Review

Two sisters escape war-ravaged Shanghai, only to face discrimination and the threat of deportation in the United States. See's latest fictional exploration of the lives of Chinese women (Peony in Love, 2007, etc.) begins in 1937 Shanghai, a cosmopolitan city under imminent threat of Japanese invasion. As oblivious to rumors of their beloved city's collapse as they are to their family's circumstances, Pearl Chin and her younger sister May continue to shop, frequent nightclubs and pose for illustrator Z.G.'s advertising calendars featuring "Beautiful Girls." However, Papa Chin, having lost his fortune to gambling debts, has sold his daughters into marriage to Sam and Vern, sons of Chinese-American entrepreneur Old Man Louie. After hasty weddings (only Pearl's union, with Sam, is consummated), the brides refuse to accompany their husbands to California. When Shanghai is bombed and Papa abruptly disappears, the women and their mother join the stream of refugees fleeing the Japanese on foot. Along the way, Pearl and her mother are brutally raped by Japanese soldiers, while May hides. Their mother does not survive, but the Chins reach Hong Kong and embark for the United States, having decided, in desperation, to join their husbands. At San Francisco's notorious Angel Island immigrant-internment center, May, pregnant by a boyfriend, prolongs the sisters' already extended quarantine until she is able to give birth in secrecy. Pearl claims May's daughter Joy as her own and Sam's. Once reunited with their spouses in L.A.'s Chinese district, the former Shanghai princesses must acclimatize themselves to a life of drudgery, toiling in the Louie family's curio shops and restaurants. Despite engrossing complications involving immigration issues and the impact of the '50s Red Scare on Chinese-Americans, the Chinatown section, spanning 20 years, seems overlong. The final chapters, however, wherein Z.G.'s Beautiful Girl artwork resurfaces as Maoist propaganda and the FBI stalks the family, are worth the wait. The close suggests See's next setting may be the People's Republic, a development sure to please her readership. Copyright Kirkus Reviews, used with permission.