Excerpt provided by Syndetics
<anon I1="BLANK" I2="BLANK">1 Tuesday, 12:24 a.m. PST SHE IS DREAMING AGAIN. She doesn't want to. She wrestles with the sheets, tosses her head, tries to keep the dream version of herself from walking up those stairs, from opening that door, from entering the gloom. She wakes up stuffing the scream back into her throat, eyes bulging and still seeing things she doesn't want to see. Reality returns in slow degrees, as she registers the gray-washed walls, the dark-eyed windows, the empty side of the bed. She heads for the bathroom, sticking her head under the faucet and gulping mouthfuls of lukewarm water. She can still hear the rain thundering outside. It seems like it has been raining forever this November, but maybe that's only her state of mind. She goes into the kitchen. Note's still on the table. Seven days later, she doesn't read it anymore, but can't quite bring herself to throw it away. Refrigerator inventory time: yogurt, tuna fish, pineapple, eggs. She grabs the eggs, then realizes they expired two weeks ago. Screw it, she goes back to bed. Same dream, same images, same visceral scream. One a.m., she gets up for good. She showers, scrounges for clean clothes, then stares at her gaunt reflection in the mirror. "How do you spell fuckup? R-A-I-N-I-E." She goes for a drive. Tuesday, 2:47 a.m. PST "BABY'S CRYING," he mumbled. "Wake up." "Mmmm, honey, it's your turn to get the kid." "Carl, for God's sake. It's the phone, not the baby, and it's for you. Snap out of it." Carlton Kincaid's wife, Tina, elbowed him in the ribs. Then she tossed him the phone and burrowed back under the covers, pulling the down comforter over her mocha-colored head. Tina wasn't a middle-of-the-night sort of person. Unfortunately, neither was Kincaid. Sergeant Detective, Major Crimes, Portland office of the Oregon State Police, he was supposed to be prepared for these sort of calls. Sound intelligent. Commanding even. Kincaid hadn't gotten a good night's sleep in nearly eight months now, however, and was feeling it. He stared sulkily at the phone, and thought it had better be damn good. Kincaid sat up straight and attempted to sound chipper. "Hell-oh." A trooper was on the other end of the line. Had gotten called out by a local deputy to the scene of an abandoned vehicle on the side of a rural road in Tillamook County. So far no sign of the owner at the vehicle's site or at the owner's legal address. Kincaid had one question. "Is the vehicle on public or private property?" "Dunno." "Well, figure it out, 'cause if it's private, we're gonna need consent to search the grounds. You'll also need to contact the local DA for a warrant to search the vehicle. So get the DA rolling, buckle up the scene, and I'll be there in"-Kincaid glanced at his watch- "fifty-five minutes." "Yes, sir." The trooper hung up; Kincaid got moving. Kincaid had been with the OSP for the past twelve years. He'd started as a trooper, spent some time on a gang task force, then transferred to Major Crimes. Along the way, he'd acquired a beautiful wife, a big black mutt, and as of eight months ago, a bouncing baby boy. Life was going according to plan, if you included in that plan that neither he nor his wife had slept or chewed their food in over half a year. Kids kept you hopping. So did Major Crimes. He could hear the rain coming down in sheets off the roof. What a bitch of a night to be pulled out of bed. He kept two changes of clothes in the trunk of his take-home car. Night like this, that'd get him through the first half hour. Shit. He looked back at the bed with a pang and wished it'd been the baby crying after all. Moving on autopilot, he dug through the dresser and started pulling on clothes. He was just buttoning up his shirt when his wife sighed and sat up. "Bad one?" she whispered softly. "Don't know. Abandoned vehicle over in Bakersville." "Baby, what's that got to do with you?" "Driver's-side door's open, engine's still running, and purse is sitting in the passenger's seat." She frowned. "That's weird." "Yeah." "Baby, I hate the weird cases." Kincaid pulled on his sports coat, crossed to his wife and planted a big one on her cheek. "Go back to sleep, honey. Love you." Tuesday, 1:14 a.m. PST She can't see a damn thing. Her wipers are on high speed, flailing violently across her windshield. It makes no difference. The rain comes and comes and comes. Bend in the road. She takes the turn a little too late and promptly hydroplanes. She is breathing hard now. Hiccupping. Is she crying? It's hard to tell, but she's grateful to be alone in the dark. Easing off the gas, she steers carefully back into the proper lane. There are advantages to being out this late at night. No one else on the road to be punished by her mistakes. She knows where she is going without ever telling herself. If she thought about it, then it would be a conscious decision, which would underline the fact she has a problem. Far easier to simply discover herself pulling into the parking lot of the Toasted Lab Tavern. Half a dozen other vehicles are sprinkled across the graveled lot, mostly wide-cab pickup trucks. The hard-core drinkers, she thinks. You have to be hard-core to be out on a night like this. What is she doing here? She sits in her car, gripping the steering wheel hard. She can feel herself starting to shake. Her mouth is filling with saliva. She is already anticipating that first long, cold sip of beer. For one moment, she hangs on the precipice. Go home, Rainie. Go to bed, watch TV, read a book. Do something, do anything but this. She is shaking harder, her entire body convulsing as she hunches over the wheel. If she goes home, she will fall asleep. And if she falls asleep . . . DO NOT climb those stairs. DO NOT open that door. DO NOT peer into the gloom. There is so much darkness inside of her. She wants to be a real person. She wants to be strong, resolute, and sane. But mostly she feels the darkness move inside her head. It started four months ago, the first few tendrils fingering the corners of her mind. Now it consumes her. She has fallen into an abyss and she can no longer see the light. Rainie hears a noise. Her head comes up. She sees a large figure loom ahead suddenly in the pouring rain. She doesn't scream. She grabs her gun. The drunken cowboy lurches past, never knowing how close he came to losing his ass. Rainie sets her Glock back down in the passenger seat. She is no longer trembling. She's wide-eyed. Grim-faced. A stone-cold sort of crazy, which is far, far worse. She puts her car into gear and heads back into the night. Tuesday, 3:35 a.m. PST Bakersville, Oregon, was a small coastal town smack dab in the middle of Tillamook County. Nestled in the shadows of the towering coastal range inside Tillamook County. It featured endless acres of verdant dairy farms, miles of rocky beach, and from a detective's point of view, a growing methamphetamine problem. Pretty place to live if you were into honky-tonks and cheese. Not much else to do if you weren't, and didn't the local kids know it. It should've taken Kincaid fifty minutes to hit Bakersville. On a night like this, with zero visibility, slick mountain passes, and driving sheets of rain, it took Kincaid an hour fifteen. He pulled onto the lit-up site, breathing hard and already feeling behind the eight ball. In the good-news department, the first responders had done their job. Three strategically placed spotlights glared into the night, high-powered beams slicing through the ribbons of rain. Yellow crime scene tape roped off a decent-sized perimeter, outside of which the vehicles were starting to pile up. Kincaid noted a deputy's truck, then the sheriff's, then a slick black SUV with all the bells and whistles, which he figured belonged to the Tillamook County DA. They would need more bodies if they decided to launch a full-scale search, and they would need the forensic lab and Latent Prints to process the scene, but those would be his calls to make. An hour and forty minutes after the first call out, they were still covering the basics: Did they, or did they not, have a crime? Most taxpayers probably liked to think the police went into these situations full bore. Notify the crime lab, bring in the National Guard, call in the choppers. Yeah, well, those same taxpayers kept hacking away at the OSP's budget, until Kincaid now had three and a half detectives working for him instead of the original fourteen. Real-world policing meant all decisions came attached to dollar signs. For better or for worse, these days he was operating on the cheap. Kincaid pulled in behind the monstrous black Chevy Tahoe and cut his engine. No way around it. He opened his door and stepped out into the deluge. The rain nailed him square on the forehead. For a moment, he paused, steeling himself against the onslaught. Then, his hair was soaked, the water trickled beneath the collar of his Columbia raincoat, and the worst of it was over. He no longer had to worry about getting muddy and wet; he was already there. Kincaid trudged around to the trunk of his Chevy Impala, pulled out the giant plastic bin containing his crime scene kit, and ducked beneath the tape. Trooper Blaney trotted over, black Danner boots splashing through the muck. A good doobie, he was wearing full department-issued rain gear, including a black-and-blue OSP jacket that looked like a biker coat gone bad. No one really liked the jacket. Kincaid kept his stashed in the trunk for the rare occasions the press was around-or a superior officer. Blaney had obviously been standing outside awhile; his coat looked slick as glass beneath the high-powered lights, while beneath the cover of his wide-brim hat, the water ran in rivulets down his square-jawed face and dripped off the end of his nose. Blaney stuck out his hand; Kincaid returned the favor. "Trooper." "Sergeant." The Tillamook County sheriff and a deputy had followed in the trooper's wake. Blaney made the introductions as they all stood in a rain-soaked huddle, teeth chattering, arms tight against their sides for warmth. Deputy Dan Mitchell had been the first responder. Kid was young, farming stock, but trying hard. He didn't like the look of things-the open door, headlights on, engine running. Seemed kind of Hollywood to him. So he'd called Sheriff Atkins, who hadn't been wild to be pulled out of bed on such a night, but had headed down. The sheriff was a bit of a surprise. For one thing, he was a she-that would be Sheriff Shelly Atkins to you. For another, she had a firm handshake, a no-nonsense stare, and apparently didn't feel like beating around the bush. "Look," she interjected halfway through her deputy's energetic spiel, "Tom's waiting"-she jerked her head toward the DA, who Kincaid now saw was tucked back inside his SUV. "We got a search warrant for the car and, per your trooper's instructions, we've confirmed this is public land. Now, I don't know what the hell happened here, but someone left that car in a hurry, and that's a source of concern for me. So let's get this ball rolling, or there won't be anything left to find but a bunch of soggy police reports." No one could argue with that logic, so their little scrum moved toward the car, edging carefully toward the open door. Vehicle was a late-model Toyota Camry, white exterior, blue cloth interior. Nice, but nothing fancy. The driver had pulled well over, conscientiously trying to get off the road. To the left of the driver's door was the winding backwoods lane. To the right was a steep embankment leading up into a heavily shrouded forest. As the trooper had reported by phone, the driver's-side door was slung wide open, tip of the door scraping the edge of the asphalt. Kincaid's first thought was that most people didn't open their doors that far. Maybe if they had really long legs. Or maybe if they were loading something in and out of the car. Something to think about. From this angle, Kincaid could make out the shape of a brown leather handbag sitting in the passenger's seat. "Did you check the purse?" he asked no one in particular. "I picked it up," Deputy Mitchell reported, already sounding defensive. "To check for ID, you know. I mean, it just seemed strange to find the car, lights on, engine running, door open wide as day. I had to start somewhere." "Did you find a wallet?" "No, sir. But then I opened the glove compartment and found the vehicle registration. I pulled the name off that." "Purse was empty?" "No, sir. Lots of stuff in the purse-cosmetics, pens, PDA, etc. But I didn't see anything that looked like a wallet. I placed the purse back just how I found it. Swear to God I touched nothing else." "Except the glove compartment," Kincaid said mildly, but he wasn't really angry. The deputy was right-you had to start somewhere. The car's engine had been turned off; the trooper had done it to preserve the tank of gas. Always useful when you found an abandoned vehicle, to see how much gas was left in the tank. But the engine had been running fine when Deputy Mitchell had arrived, and at a glance, there was nothing wrong with the tires. Seemed to rule out pulling over due to mechanical problems. Kincaid walked to the rear of the Camry, eyeing the fender. No sign of dents or scrapes, though it was hard to tell with everything so wet. He made a halfhearted attempt to look for other tire tracks or footprints. The driving rain had destroyed the ground, leaving nothing but shallow pools of muddy water. Sheriff Atkins's warning had been on the money, but a dime too late. He moved to the interior of the vehicle, careful not to touch. "Owner a woman?" he asked. "According to the registration," Trooper Blaney supplied, "name is Lorraine Conner from Bakersville. Sheriff Atkins sent a deputy to the address. No one answered." "Do we have a physical description?" "According to DMV records, she's five six, 120 pounds, brown hair, blue eyes." Kincaid eyed Sheriff Atkins. "Five five," she supplied. "I didn't want to touch anything just yet, but at a glance, the seat looks about right." That's what Kincaid thought, too. Seat was fairly close, about what he'd expect. He needed to check the mirrors, of course, steering column, too, but that'd have to wait until after the lab rats and Latent Prints were done. According to Blaney, the gas tank had registered half full before he'd shut down the engine, so while they'd canvass the local gas stations just to be safe, Lorraine probably hadn't fueled up recently. He straightened, blinking his eyes against the rain while the wheels of his mind started to turn. Kincaid had spent his first three years as a trooper working along the coast. It amazed him how many of his reports had started with the discovery of an abandoned vehicle. The ocean seemed to draw people, speak to them one last time. So they'd drive out to the coast, catch that final glorious sunset. Then they'd lock up their vehicle, head into the woods, and blow out their brains. But in all of Kincaid's years, he'd never seen anyone walk away from a car like this-engine idling, windshield wipers beating, headlights beaming. Deputy Mitchell had been right. The scene was too Hollywood. It felt wrong. "All right," Kincaid said. "Let's pop the trunk." From the Hardcover edition. Excerpted from Gone by Lisa Gardner All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.</anon>
Reviews provided by Syndetics
Library Journal Review
Rainie Conner's car is found running by the side of the road, and her estranged husband, Pierce Quincy, is called in to answer questions. When a ransom note arrives signed by a notorious kidnapper from an earlier age, Pierce has no choice but to follow the instructions, even though he knows that Rainie's chances of returning alive are slim. Pierce blames himself for leaving her, blames her for allowing herself to be kidnapped, but most of all he is furious with the kidnapper and frustrated by the police investigation. In the meantime, a young police officer is killed, and Dougie, a small boy whom Rainie had been mentoring, is kidnapped. The story is told from the perspective of various characters, including the police investigator, the sheriff, Pierce, Rainie, Dougie, and the kidnapper. Anna Fields reads in a no-nonsense voice, narrating the action with a driving pace. She dramatically performs this thriller, which seethes with emotion. Recommended for most collections.-Juleigh Muirhead Clark, John D. Rockefeller Jr. Lib., Colonial Williamsburg Fdn., VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
Former FBI profiler Pierce Quincy's marriage is on the rocks, but things go from bad to worse when his wife, Rainie, goes missing. A kidnapper soon contacts Quincy with a somewhat unusual ransom demand, leaving Quincy and the investigation team with no choice but to play the kidnapper's game to keep Rainie alive. The story is told from alternating points of view, showing Quincy's efforts to find his wife and Rainie's struggle against her cruel captor. The plot is formulaic and derivative, but the abridgment makes it simple to follow, so listeners should have no trouble keeping up. Kairos's voice is light and pleasant, and while her narration is not superb, it does get the job done. Kairos modulates her voice sufficiently to distinguish between male and female voices, but the accents she attempts are beyond her and come off sounding a bit silly. For the most part, the narration is engaging and effectively propels the story forward, but Kairos-and Gardner-occasionally lays it all on a bit too thick, taking the narrative (and the narration) into the realm of tepid melodrama. Simultaneous release with the Bantam hardcover (Reviews, Nov. 21). (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
At the center of this mix of police procedural and psychological thriller is Lorraine Rainie Conner, an ex-cop with a drinking problem whose car is found abandoned on a country road in Oregon on a particularly rainy November night. Leading the missing-person search is Carlton Kincaid, a no-nonsense state cop who'd rather be home with his wife and infant son. The search team calls in Pierce Quincy not because he's a former FBI profiler but because Rainie is his estranged wife, their marriage having come to a halt when her drinking resumed after 15 years of sobriety. Next on the scene is Quincy's daughter, Kimberly, who--you guessed it--is an FBI agent (or feebie ) working out of the Atlanta office. All these great minds converge to try to solve the mysterious disappearance of Rainie. Could she have been so depressed over her failed sobriety and marriage that she turned a standard-issue Glock on herself? As friendships build and mysteries unfold, Gardner keeps the suspense cranked high. Recommend this to fans of Lee Child. --Mary Frances Wilkens Copyright 2005 Booklist
Kirkus Book Review
A cop--and mainstay of the Connor-Quincy series (The Killing Hour, 2003, etc.)--is kidnapped, but is it really for ransom? Usually Rainie Connor is as saucy, savvy and sexy as the genre allows, but she's not been herself recently. Actually, she's been a bundle of seriously jangled nerves. As a result, we find her being nasty to her lover/partner Pierce Quincy, and, even worse, seeking emotional solutions in a bottle. And then, just like that, she's gone! The Bakersville (Ore.) police find her car abandoned by the side of a mountain road, engine still running, purse on the passenger's seat, no sign of Rainie. Naturally, Quincy's distraught. He knows how resourceful Rainie is, and it's hard for the ex-FBI profiler to profile the kind of assailant who could have out-maneuvered and disarmed the redoubtable Rainie--her ever-present Glock has disappeared from her purse. Compounding Quincy's unsettlement is the realization that as spouse surrogate he heads the official suspect list. That changes when the ransom note arrives at the local newspaper. Now, at least, it's clear to law enforcement that they have a kidnapping on their hands. To Quincy, however, the paltriness of the number--$10,000--is disturbing. What seems obvious to him is that Rainie's kidnapping can hardly be about money. It's about something else, something--the thought scares him--personal. As ever, Gardner is hot to plot, but few are the twists fresh enough to counter been-there-read-that. Copyright ©Kirkus Reviews, used with permission.