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Their finest / Lissa Evans.

By: Evans, Lissa.
Material type: materialTypeLabelBookPublisher: London : Black Swan, 2017Description: 413 pages ; 20 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781784162610 (pbk.); 1784162612 (pbk.).Uniform titles: Their finest hour and a half Subject(s): World War, 1939-1945 -- Propaganda -- Fiction | Motion pictures -- Production and direction -- Fiction | World War, 1939-1945 -- Social aspects -- Great Britain -- FictionGenre/Form: Historical fiction. | Humorous fiction. | War fiction.DDC classification: 823.92 Summary: It is 1940. France has fallen, and only a narrow strip of sea lies between Great Britain and invasion. The war could go either way and everyone must do their bit. Young copy writer Catrin Cole is drafted into the Ministry of Information to help 'write women' in propaganda films - something that the men aren't very good at. She is quickly seconded to the Ministry's latest endeavour: a heart-warming tale of bravery and rescue at Dunkirk. It's all completely fabricated, of course, but what does that matter when the nation's morale is at stake? Since call-up has stripped the industry of its brightest and best, it is the callow, the jaded and the utterly unsuitable who must make up the numbers: Ambrose Hilliard, third most popular British film-star of 1924; Edith Beadmore, Madame Tussauds wardrobe assistant turned costumier; and Arthur Frith, whose peacetime job as a catering manager has not really prepared him for his sudden, unexpected elevation to Special Military Advisor. And in a serious world, in a nation under siege, they must all swallow their mutual distaste, ill-will and mistrust and unite for the common good, for King and Country, and - in one case - for better or worse...
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Fiction Collection
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Enhanced descriptions from Syndetics:

Now a major film starring Gemma Arterton, Sam Claflin and Bill Nighy.

It's 1940. In a small advertising agency in Soho, Catrin Cole writes snappy lines for Vida Elastic and So-Bee-Fee gravy browning. But the nation is in peril, all skills are transferable and there's a place in the war effort for those who have a knack with words.

Catrin is conscripted into the world of propaganda films. After a short spell promoting the joy of swedes for the Ministry of Food, she finds herself writing dialogue for 'Just an Ordinary Wednesday', a heart-warming but largely fabricated 'true story' about rescue and romance on the beaches of Dunkirk. And as bombs start to fall on London, she discovers that there's just as much drama, comedy and passion behind the scenes as there is in front of the camera . . .

Originally published as Their Finest Hour and a Half

Film tie-in.

Originally published: as Their finest hour and a half. London: Doubleday, 2009.

It is 1940. France has fallen, and only a narrow strip of sea lies between Great Britain and invasion. The war could go either way and everyone must do their bit. Young copy writer Catrin Cole is drafted into the Ministry of Information to help 'write women' in propaganda films - something that the men aren't very good at. She is quickly seconded to the Ministry's latest endeavour: a heart-warming tale of bravery and rescue at Dunkirk. It's all completely fabricated, of course, but what does that matter when the nation's morale is at stake? Since call-up has stripped the industry of its brightest and best, it is the callow, the jaded and the utterly unsuitable who must make up the numbers: Ambrose Hilliard, third most popular British film-star of 1924; Edith Beadmore, Madame Tussauds wardrobe assistant turned costumier; and Arthur Frith, whose peacetime job as a catering manager has not really prepared him for his sudden, unexpected elevation to Special Military Advisor. And in a serious world, in a nation under siege, they must all swallow their mutual distaste, ill-will and mistrust and unite for the common good, for King and Country, and - in one case - for better or worse...