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Right behind you / Lisa Gardner.

By: Gardner, Lisa [author.].
Material type: materialTypeLabelBookPublisher: London : Headline, 2017Copyright date: ©2017Description: 359 pages ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781472220325 (hardback); 9781472220332 (paperback).Subject(s): Quincy, Pierce (Fictitious character) -- Fiction | Conner, Rainie (Fictitious character) -- Fiction | Government investigators -- Fiction | Murder -- Investigation -- Fiction | Brothers and sisters -- FictionGenre/Form: Thrillers (Fiction) | Detective and mystery fiction.DDC classification: 813/.54 Summary: "Eight years ago, Sharlah May Nash's older brother beat their drunken father to death with a baseball bat in order to save both of their lives. Now thirteen years old, Sharlah has finally moved on. About to be adopted by retired FBI profiler Pierce Quincy and his partner, Rainie Conner, Sharlah loves one thing best about her new family: They are all experts on monsters. Is he a killer? Then the call comes in. A double murder at a local gas station, followed by reports of an armed suspect shooting his way through the wilds of Oregon. As Quincy and Rainie race to assist, they are forced to confront mounting evidence: The shooter may very well be Sharlah's older brother, Telly Ray Nash, and it appears his killing spree has only just begun. All she knows for sure: He's back."-- Provided by publisher.
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Enhanced descriptions from Syndetics:

Lisa Gardner's next thriller following her runaway New York Times bestseller Find Her takes her wildly popular brand of suspense to new heights.

Thirteen-year-old Sharlah Nash knows that the first time her brother killed eight years ago, he did it to save their lives.

Now retired FBI profiler Pierce Quincy and his wife Rainie Conner have offered Sharlah a new life of safety. She desperately wants to believe this is her shot at happily ever after.

Then two people are murdered in their local convenience store and Sharlah's brother is identified as the killer.

Telly Ray Nash is on the hunt for Sharlah and as the death count rises it becomes clear that nothing and no-one, including Pierce and Rainie, will stop him getting to her.

Now, Sharlah has one chance to take control.

She can run for her life... or turn and face the danger right behind her.

"Eight years ago, Sharlah May Nash's older brother beat their drunken father to death with a baseball bat in order to save both of their lives. Now thirteen years old, Sharlah has finally moved on. About to be adopted by retired FBI profiler Pierce Quincy and his partner, Rainie Conner, Sharlah loves one thing best about her new family: They are all experts on monsters. Is he a killer? Then the call comes in. A double murder at a local gas station, followed by reports of an armed suspect shooting his way through the wilds of Oregon. As Quincy and Rainie race to assist, they are forced to confront mounting evidence: The shooter may very well be Sharlah's older brother, Telly Ray Nash, and it appears his killing spree has only just begun. All she knows for sure: He's back."-- Provided by publisher.


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Excerpt provided by Syndetics

***This excerpt is from an advanced uncorrected copy proof*** Copyright © 2017 Lisa Gardner Had a family once. Father. Mother. Sister. Lived in our very own double-wide. Brown shag carpet. Dirty gold countertops. Peeling linoleum floors. Used to race my Hot Wheels down those food-splattered counter tops, double-loop through ramps of curling linoleum, then land in gritty piles of shag. Place was definitely a shit hole. But being a kid, I called it home. Mornings, wolfing down Cheerios, watching Scooby-Doo without any volume so I wouldn't wake the 'rents. Getting my baby sister up, ready for school. Both of us staggering out the front door, backpacks nearly busting with books. Important to read. Someone told me that. Mom, Dad, grandparent, teacher? Don't remember now, but somewhere I got the message. Book a day. Like an apple. So after school I headed off to the library, sister still in tow. Read some books, 'cause God knows we didn't have any fruit. I liked Choose Your Own Adventures. Each scene had a cliffhanger ending, where you had to decide what would happen next. Turn left in the forbidden temple or turn right? Pick up the cursed treasure or walk on by? In the Choose Your Own Adventure books, you were always the one in control. Then I'd read Clifford the Big Red Dog to my little sis. Not old enough to read yet, she'd point and laugh at the pictures. Sometimes, the librarian would sneak us snacks. She'd say stuff like, Someone left behind their bag of chips. Would you like them? I'd say, Nah. She'd say, Go on, better you than me. Potato chips aren't good for my girlish figure. Eventually my sister would grab the chips, eyes greedy. She was always hungry back then. We both were. After library, home. Sooner or later, always had to go home. My mom had this smile. When she was in the right mood, having a "good day," oh, that smile. She'd ruffle my hair. Call me her little man. Say how proud she was of me. And hug me. Big, strong hugs, envelopes of cigarette smoke and cheap perfume. I loved that smell. I loved the days my mother smiled. Sometimes, if things were going really well, she'd fix dinner. Spaghetti noodles with ketchup--that'll leave a stain, she'd cry gaily, slurping up noodles. Ramen noodles with scrambled eggs--dinner for fifteen cents, now we're living the dream, she'd declare. Or my favorite, Kraft macaroni and cheese--it's the nuclear orange color that makes it special, she'd whisper. My little sister would giggle. She liked my mother in this mood. Who wouldn't? Dad was usually at work. Bringing home the bacon. When he had a job. Gas station attendant. Night clerk. Warehouse stocker. Stay in school, he'd tell me, afternoons when we came home in time to watch him button up yet another grimy uniform. Fucking real world, he'd tell me. Fucking bosses. Then off he'd go. And my mom would appear from the hazy cloud of their bedroom to start dinner. Or the door would never open, and I'd get out a can opener instead. Chef Boyardee. Campbell's soup. Baked beans. My sister and I didn't talk those nights. We ate in silence. Then I'd read her more Clifford, or maybe we'd play Go Fish. Quiet games for quiet kids. My sister would fall asleep on the sofa. Then I'd pick her up, carry her off to bed.   "Sorry," she'd say sleepily, though neither of us knew what she was apologizing for. Had a family once. Father. Mother. Sister. But then the father worked less and less and drank more and more. And the mother . . . Dunno. Drugs, booze, her own foggy mind? Parental units appeared less and less to cook, clean, work. More and more to fight, scream, yell. Mom, hurling plastic plates across the kitchen. Dad, punching a hole through the cheap drywall. Then both would guzzle more vodka and do the whole thing all over again. Sister took to sleeping in my room, while I sat by the door. 'Cause sometimes, the parents had guests over. Other boozers, druggies, losers. Then all bets were off. Three, four, five in the morning. Locked doorknob rattling, strange voices crooning, "Hey, little kids, come out and play with us. . . ." My sister didn't giggle anymore. She slept with the light on, ragged copy of Clifford clutched in her hands. While I kept watch with a baseball bat balanced across my knees. Then, morning. House finally quiet. Strangers passed out on the floor. As we crept around them, stealing into the kitchen for the Cheerios box, then grabbing our backpacks and tiptoeing out the door. Rinse, spin, repeat. Repeat. Repeat. Repeat. Had a family once. But then the father drank or shot up or snorted too much. And the mom--envelopes of cigarette smoke and cheap perfume--started to scream and scream and scream. While my sister and I watched wide-eyed from the sofa. "Shut up, shut up, shut up," the father yelled. Scream. Scream. Scream. "Fucking bitch! What's wrong with you?" Scream. Scream. Scream. "I said, SHUT UP!" Kitchen knife. Big one. Butcher knife, like from a slasher film. Did she grab it? Did he? Don't remember who had it first. Can only tell you who had it last. My father. Raising the knife up. Bringing the knife down. Then my mother wasn't screaming anymore. "Shit!" My father, turning to my sister and me. Bloody knife, drip, drip, drip. And I knew then, what he'd do next. "Run," I told my little sister as I dragged her off the sofa, shoved her toward the hall. The shag carpet slowed him down. But the peeling linoleum tripped us up. As we raced through the double-wide, silent in our terror, I passed my sister, scooped her up, little legs still churning through the air. I could hear him, right behind me. I could feel his breath on my neck, already picture the blade slicing between my bony shoulder blades. I threw my sister into my bedroom. "Lock the door!" Then sprinting down the hall, my father and his bloody knife close behind. I bolted into my parents' bedroom. Leapt onto the bed. "Fucking kid. Stay still, stay still, stay still." Knife going up, knife going down. Shredding the bedding. Tearing into the mattress. I jumped down the other side. Grabbed anything I could find from the top of the bureau. Empty wine bottles, beer cans, perfume. Hurled them into my father's beet-red face. "Shit shit shit." Then, as he staggered, I jumped back over the bed, whirling around him. I heard the slash of the knife. Felt the burning pain in my shoulder. But then I was clear, hammering down the hall. If I could make it out the front door, into the yard, cry for the neighbors . . . And leave my little sister behind? Then she was there. Standing in my bedroom doorway. Holding out the baseball bat. I didn't hesitate. I grabbed the wooden bat. I raced into the family room, turning at the last second, assuming the proper stance. My father. Wild eyes. Flushed face. Lights on, I thought, but no one home. He raised the bloody knife. I swung with all my might. Felt the connection, a solid, wet smack, as I knocked it out of the park. My father, falling down, down, down, knife dropping into the carpet. And still I swung the bat. Bam. Bam. Bam. Repeat. Repeat. Repeat. My little sister, suddenly appearing beside me. "Telly, Telly, Telly." Myself, looking up. Wild eyes. Flushed face. Lights on but no one home. "Telly!" my baby sister cried one last time. As I lifted the bat. Had a family. Once.   Sheriff Shelly Atkins wasn't supposed to be in the law enforcement business anymore. Ten years after a fire had left her torso and upper shoulder a ropey mess of scars, not to mention ruined her hip, she'd hung up her hat, so to speak. Taking up an anonymous benefactor's offer of a once-in-a-lifetime trip to Paris (retired FBI agent Pierce Quincy, she remained certain), she'd initially salved her wounds with French crepes, French wine, and French museums. Then she came home. Set herself up with a steady schedule of walking the beach, hiking the woods, keeping herself busy. Her replaced hip did best when in motion, the soreness of an active day far better than the knifing ache of idleness. And roaming the great outdoors, she was less likely to remember. A woman with her number of scars was definitely best off not remembering. Then two years ago, the sitting county sheriff, an outsider whom the locals had never quite taken to, had resigned abruptly. Some whispers of impropriety, but nothing the DA could prove. Either way, the county found itself sheriff-less. And Shelly . . . She wasn't a beautiful woman. Not even pretty, and that was before the fire had turned half her body into a Picasso painting. She had the solid build of a plow horse and the kind of no-nonsense face that invited men to talk to her at bars while still eyeing the prettier girl three seats down. She had no family, no children, not even a pet goldfish, because she was never entirely certain she wouldn't take off again. Basically, eight years after the fire had nearly killed her, Shelly had managed to add nothing and no one to her life. Mostly, she missed her job like hell. Not to mention the people she'd once worked with. So she'd run for sheriff. And given that she was still remembered as something of a hometown hero for saving a federal agent from that fire, the locals had enthusiastically voted her back into office, bum hip, scarred torso, and all. Which meant, Shelly reminded herself now as she drove, lights flashing, that she had only herself to blame. A report of shots fired this time of year? Not good for the local sheriff, nor the business leaders who counted on the quaint coastal town's sleepy reputation to remain, well, sleepy. Hour was still early, just after eight, which argued for either cranky good old boys who were still half-skunked from their excesses the night before, or disillusioned tourists who'd finally figured out that camping in a heat wave wasn't all it was cracked up to be. Normally, August in these parts wasn't so bad, especially with the ocean breeze helping keep temperatures reasonable. But the mercury had been topping a hundred for the past five days and bringing tempers with it. In a rural community of five thousand, where the number of guns probably did outnumber the total population, maybe a report of shots fired had been only a matter of time. Dispatch had provided the address, a gas station/convenience store at the edge of town, and Shelly had personally taken charge. Both her deputies had already logged overtime working the normal summertime nuisance calls, so she felt it was the least she could do. And while she wasn't happy about gunshots in her town, she wasn't terribly concerned. Overall, Bakersville, Oregon, was most famous for its cheese, trees, and ocean breeze. Sure, it also had a growing meth problem, but policing in these parts was hardly big-city stress. Headed north, having already made it through the blink-or-you'll-miss-it downtown, Shelly was approaching the county's biggest claim to fame: the cheese factory. Even with lights flashing, she had to blare her horn to weave her way through the thick line of RVs and campers already stacked up, waiting to turn into the parking lot. Given the already hotter-than-hell morning, most of the tourists were probably planning on ice cream for breakfast. When she completed this call, Shelly might join them. Community policing. Eat ice cream, mingle with locals. Sounded like a plan to her. North of the factory, traffic died down and Shelly picked up speed. Road was narrower here, winding through sharp bends as it twisted its way along the rocky coast. Then, five miles after a turn-in for yet another campground, Shelly arrived at her location: the EZ Gas. Shelly swung in, killing the lights while appraising the scene. She saw one truck parked in front of the twin gas pumps, a battered Ford that had seen better days. Otherwise the place appeared quiet. Shelly got on her radio, alerted dispatch that she'd arrived. Then, picking up her broad-brimmed hat from the seat beside her, she placed it on her head and climbed out of her white sheriff's SUV. First thing that struck her: the absence of sound. That, much as anything, set her nerves on edge. In a hot hazy August, when the local businesses were as busy as they were gonna get, the quiet here . . . It wasn't a good kind of quiet. Shelly's hand went to her holster. She automatically shifted her stance sideways, making herself less of a target, as she approached the front of the worn-looking convenience store. Smell hit her next. Coppery, thick. An odor even a small-town sheriff knew better than she would've liked. The faded red pickup, midnineties, was to her left, the open glass door to the small convenience store to her right. Shelly paused, considering. Vehicle appeared unoccupied, which left the store as the main area of concern. She moved closer to the exterior wall, bottom half blocked by giant coolers of ice, upper windows plastered with various posters advertising cheap beer. Hand still on her holster, she tucked herself beside the ice coolers and peered through the open door. Nothing to see. And again, nothing to hear. Not the ring of the cash register. Not the murmur of voices as the clerk rang up the sale from the truck owner. Just that smell. Thick and pungent in sweltering August heat. Then, a sound did reach her ears: soft, steady. The drone of flies. Lots and lots of flies. Shelly knew then what she'd be finding inside. Excerpted from Right Behind You by Lisa Gardner All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Publishers Weekly Review

Gardner's partners in crime fighting and in life-retired FBI profilers Pierce Quincy and Rainie Conner-return in fine fashion, helping the sheriff's department in Bakersville, Ore., zero in on a suspected rampage killer on the run. Complicating matters, the hunted, caught on camera, is Telly Ray Nash, the older brother of Pierce's and Rainie's 13-year-old foster child, Sharlah, whom they hope to adopt. The tricky plot unfolds using storytelling devices that dual readers Daniels and Schnaubelt handle effortlessly. Using a straightforward approach for the passages centering on Quincy's activities, Daniels provides the profiler with a mature, thoughtful, but worried voice. Schnaubelt easily covers the chapters featuring a hard-boiled Rainie and a determined Sheriff Shelly Atkins, but it's in the passages narrated in present tense by the confused, fearful, dog-loving teenage Sharlah that her performing skills are put on full display. A Dutton hardcover. (Feb.) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

Eight years ago, nine-year-old Telly Ray Nash killed his abusive father to protect his younger sister, Sharlah. Telly wasn't charged, but he and Sharlah were shuffled off to separate foster homes. Eight years later, Bakersville, Oregon, officers identify Telly as the dead-eyed shooter in a convenience store double murder. Sheriff Shelly Atkins calls on retired FBI profiler Pierce Quincy for help, and Quincy's suspicions that Telly is on a rampage are confirmed when they find his foster parents' bodies. Photos of Quincy's foster daughter, Sharlah, on Telly's cell phone point to a nightmare scenario, especially after Sharlah goes missing. Now, Sharlah's life may depend on Quincy figuring out why Telly murdered the foster parents he seemed to bond with and is now targeting his little sister. Gardner adds depth to the instantly relatable cast with subtlety, and themes of family and forgiveness anchor this fast-paced suspense story to the series' bigger picture. A long-awaited delight for Quincy series fans (after Say Goodbye, 2008) and a thrilling escape for newcomers. HIGH-DEMAND BACKSTORY: The return of a successful series will drive interest of the always-popular Gardner's latest.--Tran, Christine Copyright 2016 Booklist

Kirkus Book Review

A teenager with a troubled past becomes the prime suspect in a string of brutal murders, but ex-FBI profiler Pierce Quincy and his partner, Rainie Conner, think there's more to the story.For the past three years, Pierce and Rainie have fostered Sharlah Nash, now 13, with the hope of soon adopting her. Sharlah's childhood is the epitome of troubled: when she was 5, her drug-addict father killed her mother and then tried to kill her and her older brother, Telly, but Telly, then 9, bashed his head in with a baseball bat. The siblings were fostered apart, with Sharlah ending up with Pierce and Rainie, whose expertise as parents seems to come from their combined resumes as a former criminal profiler and cop, respectively. Telly, we learn in expansive flashbacks from the now-teenager's point of view (Sharlah has her own, crowding an already packed narrative), bounced around before landing, age 17, with Frank and Sandra Duvall, a kind couple who are obviously not what they seem. In what appears to be an explosion of unexplained rage, Telly allegedly murders the Duvalls and then kills two people in a gas station before heading off into the Oregon woods, sparking a manhunt and fears that he's coming after Sharlah. Pierce and Rainie (last seen in Say Goodbye, 2008) work with local law enforcement to build a psychological profile of the teenwhich is questionable given the excessive amount of guesswork and second- and thirdhand information usedwhile trying to protect their daughter from harm. With its shaky armchair psychology and excessive plot threads, this is a series low point. Copyright Kirkus Reviews, used with permission.